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So What: Local News, Notes & Links

Here's StLJN's latest wrap-up of assorted links and short news items of local interest:

* Guitarist and St. Louis native Kelvyn Bell has a new recording, Cubed Root Cure, set for release in January, and you can hear a sample now on SoundCloud.

The EP (pictured) will be available from CD Baby and all the major digital music services.

* The Gateway Jazz Festival, a day-long "smooth jazz" event that made its St. Louis debut last summer at the Chesterfield Amphitheater, has a date for 2018 - Saturday, July 21 - and a headliner, saxophonist Boney James.

Last year's event featured a half-dozen acts, including saxophonist Najee, singer Maysa, and Pieces of A Dream; the rest of the 2018 bill currently is TBA.

* "The World of Spectacular Strings" exhibit on view through Saturday, April 21 at the Sheldon Art Galleries was reviewed by Ladue News' Bryan A. Hollerbach.

* The Funky Butt Brass Band has posted to Facebook a photo album of last weekend's  "Holiday  Brasstravaganza" shows. Friday's performance also was reviewed for KDHX.org. by Mike Vachow.

* Saxophonist Greg Osby will join forces with the experimental multimedia duo Mn'JAM for a performance in January at the Kimmel Center in Philadelphia.

* Drummer and St. Louis native Marcus Baylor and singer Jean Baylor, the husband-and-wife duo behind The Baylor Project, were interviewed Tuesday on the nationally syndicated radio program "The Tom Joyner Morning Show" about their two nominations in this year's Grammy Awards, their careers, and more.

* The Bosman Twins were interviewed for the most recent episode of KDHX's "Collateral Damage" podcast by guest host Hank Thompson.

* And speaking of podcasts, former WSIE DJ E.B. Stevenson has released a Christmas episode of his "The Jazz Mixer" podcast.

* Max and Louie Productions' current staging of Souvenir, the musical comedy starring singer and Webster U faculty member Debby Lennon as tone-deaf diva Florence Foster Jenkins, was reviewed by the Post-Dispatch's Judith Newmark and OnStL.com's Chuck Lavazzi.

* Also in the Post-Dispatch, singer Dom Thomas' show this Saturday at The Stage at KDHX is previewed in a short feature from the paper's Kevin Johnson.

* Voting is now open in Jazz Times magazine's annual readers poll.

Jazz this week: Ellington's "Nutcracker, "A Very Manley Christmas," and more

Although most touring jazz and creative music performers now are off the road until the holiday season is over, there's still some noteworthy music - holiday and otherwise - to be heard this week, thanks to our local St. Louis musicians and singers.

Let's go to the highlights...

Wednesday, December 20
The Jazz St. Louis Big Band continues their presentation of Duke Ellington's adapation of Tchaikovsky's "Nutcracker Suite" plus additional Ellingtonia through Thursday night at Jazz at the Bistro.

Also on Wednesday, singer Joe Mancuso continues at Taha'a Twisted Tiki; singer Feyza Eren returns to Evangeline's; and this week's "Grand Center Jazz Crawl" features Sarah Jane and the Blue Notes at The Stage at KDHX, the jam session led by bassist Bob Deboo at the Kranzberg Arts Center, and trumpeter Kasimu Taylor's band at The Dark Room.

Thursday, December 21
Guitarist Stuart Johnson plays for diners at The Shaved Duck; Cabaret Project St. Louis presents a holiday edition of their "Broadway Open Mic" at the Curtain Call Lounge; and bassist Chano Cruz leads a trio at The Dark Room

Friday, December 22
Trumpeter Jim Manley (pictured) convenes his Mad Brass & Rhythm septet for the first of two nights of "A Very Manley Christmas" at Jazz at the Bistro.

Also on Friday, the Big Little Big Band with vocalist Steve Shininger will present a "Frank Sinatra Christmas" at The Abbey Espresso Bar & Cafe in Belleville.

Saturday, December 23
If you haven't had your fill of holiday music yet, there's one last chance, as Webster Groves Christian Church presents �A Jazz and Choral Christmas� with Two Times True and the church's Chancel Choir, and the Yule Vibe Trio, with guitarist Tom Byrne, percussionist Joe Pastor, and bassist Bob DeBoo, plays at the KindaBlue Club.

Also on Saturday, multi-intrumentalist Joe Bozzi and his band return to Evangeline's, and drummer Chuck Kennedy has put together a "Christmas Eve Eve Jam Session" at Mike Duffy's in downtown Kirkwood.

Sunday, December 24
Miss Jubilee performs for jazz brunch at Evangeline's, while drummer Montez Coleman and friends play at The Dark Room.

Tuesday, December 26
Saxophonist "Blind" Willie Dineen and the Broadway Collective play their last gig of the year at BB's Jazz, Blues & Soup. 

For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.

(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)

Sunday Session: December 17, 2017

Pharoah Sanders

Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* Hearing Otis Redding�s 'Try a Little Tenderness' as a Song of Resistance (The Atlantic)
* Review: Chasing Trane (Jazz Journal)
* My Name Is Dave, I Collect Vinyl Records, and I Have a Problem (The Stranger)
* The Loneliness of the Long Distance Rocker (The Baffler)
* The Cosmos Is Still Catching Up to Pharaoh Sanders' Earliest Records (Vice.com)
* Matt Wilson Talks About Making Spirits Bright, On the Eve of a Tour with His Christmas Tree-O (WBGO)
* Frankie Newton: The Forgotten Trumpeter (Jazz History Online)
* NRBQ, Steve Ferguson, and the pursuit of the impossible guitar lick (Oxford American)
* Stream 74 Sun Ra Albums Free Online: Decades of �Space Jazz� and Other Forms of Intergalactic, Afrofuturistic Musical Creativity (OpenCulture.com)
* How to Fix the Rock and Roll Hall of Fame (Variety)
* MAJOR CHORDS | Can We Really Take Pleasure From Music Born From Suffering? (Ludwig-Van.com
* Stanley Clarke Is the Reason You Love Music (Vice.com)
* Mingus & Joni Mitchell: The Black Saint & the Singer Lady (Jazz Times)
* Irvin Mayfield indicted by federal grand jury on fraud, money laundering charges (NOLA.com)
* The FCC Just Shrunk the Music Industry (DigitalMusicNews.com)
* Ben Allison and Think Free Bring 'Layers of the City' into Our Studio, on The Checkout (WBGO)
* Junk Shop Classical On Joyce Hatto: Music Stories Told �1 LP By �1 LP (TheQuietus.com)
* Marc Ribot: �It's good to understand not only how to play guitar, but also why to play guitar� (MusicRadar.com)
* Ikue Mori: Sustenance and Renewal in Downtown Music (NationalSawdust.org)
* Minneapolis jazz band the Bad Plus prepares for final shows with original lineup (Minneapolis Star-Tribune)
* Institutions raced to dump James Levine. They should look hard at themselves (Washington Post)
* The neuroscience of jazz (PRI.org)

StLJN Saturday Video Showcase: Winter/spring 2018 jazz preview, part 1

With 2017 winding down, it's time for StLJN's winter/spring preview, offering a look via video at the jazz and creative musicians who will be coming to perform in St. Louis in the first part of the new year.

Going, as usual, in chronological order, tenor saxophonist Joshua Redman will be the first well-known jazz visitor to St. Louis in 2018, checking in with his quartet for four nights of performances from Wednesday, January 3 through Saturday January 6 at Jazz at the Bistro.

Though his quartet's personnel may be different by the time he gets here, the first video up above, which documents Redman's set at the 2016 Jazz San Javier festival in Spain, should provide a taste of their repertoire and insight into how the saxophonist approaches the format.

After the jump, you can see four videos featuring the visiting musicians who will be part of the Jazz at Lincoln Center Group, which is set to play Friday, January 12 and Saturday, January 13 at the Bistro.

This isn't a regular working band, but rather an ad hoc ensemble featuring four musicians associated with the Jazz at Lincoln Center Orchestra who are coming here to do an educational residency for Jazz St. Louis. Since this gig is a one-off, there's no video of them all together to show, so instead, let's take a look at clips of the four of them featured with other ensembles.

Trombonist James Burton III can be seen in the first video after the jump, playing his composition "Going Somewhere" with the Black Art Jazz Collective at a gig in June of this year in Athens, Greece.

Next, it's an undated clip of trumpeter Tatum Greenblatt, playing Herbie Hancock's "Dolphin Dance� with the Verve Jazz Ensemble, followed by a full set of drummer Jerome Jennings leading his own group in a show in 2016 at Dizzy's at Lincoln Center.

After that, there's a clip of the fourth member of the group, bassist Ben Wolfe, leading his sextet at a gig in August of this year at Dizzy's.

That same weekend, New Music Circle will present a trio version of the International Contemporary Ensemble led by flute player Claire Chase, along with multi-instrumentalist Tyshawn Sorey and pianist Cory Smythe, performing on Saturday, January 13 at the Pulitzer Arts Foundation.

The program will feature five notated compositions - three by Sorey, and two by the late composer and experimental music pioneer Pauline Oliveros. One of those works will be Sorey's "Bertha's Lair," and in the penultimate clip, you can see Sorey and Chase presenting the piece's world premiere in 2016 at The Kitchen in NYC.

The final video provides another taste of Sorey's writing, and features him and Cory Smythe as part of Sorey's Double Trio in a performance of "The Inner Spectrum of Variables" at this past summer's Ojai Music Festival.

Look for part two of the winter/spring 2018 jazz preview next week in this space. You can see the rest of today's videos after the jump...

So What: Local News, Notes & Links

Here's StLJN's latest wrap-up of assorted links and short news items of local interest:

* Record megalabel Columbia/Legacy last week announced the release of a sixth volume in their "Bootleg Series" of Miles Davis live recordings.

Miles Davis & John Coltrane - The Final Tour is a four-CD set (pictured) documenting five shows from Davis' 1960 tour of Europe, and is set for release on Friday, March 23, 2018.

* A story in UMSL Daily details the upcoming travels of the UMSL Big Band directed by Jim Widner, including a trip next week to Chicago for the annual Midwest Clinic and appearances in January at the Jazz Education Network convention in Dallas and the Missouri Music Educators Association conference at the Lake of the Ozarks.

* Singer, actor and Belleville native Lea DeLaria was the subject of a feature story on the website OutInStL.com. DeLaria, who's starred on Broadway and in cabaret, TV, and film, will make her debut at Jazz at the Bistro with shows on Wednesday, December 27 and Thursday, December 28 that also will feature singer Janis Siegel of Manhattan Transfer as a guest performer.

* The STL Free Jazz Collective has posted to YouTube a video of their complete performance with multi-instrumentalist Douglas Ewart earlier this month at the 14th St. Artist Community. 

* Also on YouTube, saxophonist Eric Person has posted a video from his show with fellow saxophonist Houston Person in March of this year at Dizzy's Club in NYC.

* The Sheldon has posted to Facebook a photo album from the Spanish Harlem Orchestra's performance there last week.

* Guitarist Dave Black's upcoming album, a collaboration with blues guitarists Tom Hall and Brian Curran, is previewed in a Riverfront Times story by Thomas Crone.

* Also in the RFT, the Funky Butt Brass Band's "Holiday Brasstravaganza" and their new Christmas album are the subjects of a brief feature story by Christian Schaeffer.

* Right Up On, saxophonist/composer Oliver Lake's recent recording in collaboration with the FLUX Quartet, made the New York Times' recently published list of "The 25 Best Classical Music Recordings of 2017."

* Singer Debby Lennon's latest theatrical role, as tone-deaf diva Florence Foster Jenkins in Max and Louis Productions' upcoming staging of the musical Souvenir, is the subject of a short feature by St. Louis Post-Dispatch theater critic Judith Newmark.

* Percussionist Moacyr Marchini of Samba Bom will lead a series of eight Brazilian percussion workshops for adult students beginning Wednesday, January 10 at Lucha in Grand Center. For more info about the workshops and how to sign up, go here.

* The venerable Edwardsville drinking spot Laurie's Place, which in recent months has featured a jazz jam session on Tuesday nights, will close at the end of this year.

Jeter Thompson 1930 - 2017

Pianist Jeter Thompson, whose leadership of the groups Quartette Tr�s Bien and Trio Tr�s Bien made him a significant figure on the St. Louis jazz scene from the Gaslight Square era into the 21st century, died on Friday, December 1. He was 87 years old.

Born in St. Louis on March 16, 1930, Thompson (pictured, top left) started playing piano at five years old, and made his first professional appearance at age 16 in 1946, performing with saxophonist Emmett Carter at a downtown club called the Coconut Grove.

He went to Sumner High School, where in 1948 he was senior class president, and subsequently attended Stowe College for two years, earning an associates degree. He then joined the U. S. Air Force, serving in Korea.

Returning home in 1954, Thompson played various local gigs until the formation in 1959 of Quartette Tr�s Bien, which in its best-known lineup included bassist Richard Simmons, drummer Albert St. James, and percussionist Percy James.

The group (pictured, center left) became a popular attraction in the then-booming Gaslight Square entertainment district, serving as the house band at The Dark Side, where in 1962 they were filmed as part of an episode of the CBS drama Route 66.

In 1963, Thompson and his bandmates became partners in the Tr�s Bien Club, located on the south side of Olive St. near the Gaslight Club. Around that same time, they were approached by Norman Wienstroer to record for his St. Louis-based label Norman Records.

The group made two albums for Norman, Boss Tr�s Bien and Kilimanjaro, and in 1965 also backed singer Jeanne Trevor on her debut recording for the label. Wienstroer subsequently helped the Quartette gain the attention of Decca Records, which re-issued their first two albums and would release eight more recordings of them over the next few years.

With an assist from fellow St. Louisan Dick Gregory, whose standup comedy career was peaking at the same time, Quartette Tr�s Bien also became a touring band. They appeared with Gregory at the Apollo in Harlem; on a bill with Thelonious Monk at the It Club in Los Angeles (where Monk would make a famous live recording for Columbia Records); and as headliners at storied jazz spots of the 1960s including the Plugged Nickel in Chicago, Baker's Keyboard Lounge in Detroit, Crawford's Grill in Pittsburgh, The Lighthouse in Hermosa Beach, CA, and many others.

Back home in St. Louis, they performed with singer Sarah Vaughan at Powell Hall, and appeared on bills with singer Nancy Wilson and the Count Basie Orchestra.

In 1973, with Gaslight Square a distant memory and jazz clubs closing around the nation, Quartette Tres Bien dissolved. Thompson worked as a cartographer for the U.S. Defense Mapping Agency and as a real estate agent, and went on to form Trio Tres Bien with his brothers, bassist Harold Thompson and drummer Howard Thompson.

Trio Tr�s Bien (pictured, bottom left) found ample work locally playing clubs, concerts and private events, and in 2004 issued a self-released album, Coming Together. They continued to perform into the 2010s, sometimes with Harold's daughter, vocalist Danita Mumphard.

In 2014, Trio Tr�s Bien was inducted into the St. Louis Jazz Hall of Fame at Harris-Stowe State University's Wolfe Jazz Institute.

In addition to his brothers and niece, Jeter Thompson is survived by his wife, Louisa; his daughters Donna Patton and Pamela Cobb; his sister, Patricia Whitelocke; and, to quote his obituary in the St. Louis Post-Dispatch, "a host of grandchildren and great-grandchildren."

Arrangements were by Austin Layne Normandy Chapel, and a funeral was held on Friday, December 8 at St. Louis Bible Way Baptist Church.

Information for this story came from City of Gabriels: The History of Jazz in St. Louis 1895-1973 by Dennis Owsley; That St. Louis Thing, Part 2 by Bruce R. Olson; and http://www.tresbienmusic.com/.