This week's calendar of live jazz and creative music in St. Louis features the local debut of a much-talked-about young pianist and composer, the return of one of the jam-band circuit's funk-jazz favorites, and more.
Let's go to the highlights....
Wednesday, July 19
Drummer Kevin Bowers will reconvene the large cast of his Brazilian-influenced, imaginary-movie-soundtrack project NOVA in a free concert for the Missouri Botanical Garden's Whitaker Music Festival.
Elsewhere around town, though the Curtain Call Lounge has withdrawn from the "Grand Center Jazz Crawl," - apparently permanently, according to StLJN's source - the event goes on as usual, with live jazz and no cover charge at three locations in the district.
This week, you can hear guitarist Tom Byrne and keyboardist Nathan Jatcko this week at KDHX's Magnolia Cafe; the jam session with bassist Bob DeBoo and friends at Kranzberg Arts Center; and two separate shows at The Dark Room at the Grandel Theatre, with saxophonist Lew Winer playing from 6:00 p.m. to 8:00 p.m. and trumpeter Kasimu Taylor from 9:00 p.m. to midnight.
Thursday July 20
Pianist and composer Samora Pinderhughes (pictured, top left) with special guest trumpeter Christian Scott will perform at the Pulitzer Arts Foundation.
NPR devoted an episode of "Jazz Night in America" earlier this year to Pinderhughes' debut recording The Transformations Suite, and this will be his first St. Louis gig as a bandleader, playing music "inspired by" the soundtrack he wrote for the documentary film Whose Streets?. For more about Pinderhughes, and his socially-conscious brand of jazz, plus the complete Transformations Suite and some other performances on video, see this post from last Saturday.
Also in the Grand Center district, Cabaret Project St. Louis presents their monthly "Broadway Open Mic," temporarily relocated to The Stage at KDHX; and saxophonist Ben Reece�s Unity Quartet will perform at The Dark Room.
Elsewhere around town, the Funky Butt Brass Band will play a free show outside the St. Louis Public Library downtown, and drummer Maurice Carnes leads a group featuring Dallas pianist Myles Tate in a free concert for the Jazz at Holmes series at Washington University.
Friday, July 21
Saxophonist Karl Denson's Tiny Universe returns for an early-evening outdoor show at the Atomic Cowboy Pavilion. Though the heat is expected to be stifling, expect a big audience of young fans ready to party with Denson's crowd-friendly grooves.
For a look at what Denson and Tiny Universe (pictured, bottom left) have been up to since they were in St. Louis a year ago, check out this post from a couple of Saturdays ago.
Also on Friday, drummer Montez Coleman celebrates his birthday with the first of two nights of shows at Jazz at the Bistro. He'll be joined by a band including Adaron Pops Jackson (organ), Adam Maness (piano), Eric Slaughter (guitar), Jason Swagler (alto sax), and Ben Wheeler (bass), with Anita Jackson singing on Friday night and Brian Owens on Saturday.
Elsewhere around town, guitarist and singer Tommy Halloran will play a free show at Ritz Park on South Grand; singer Joe Mancuso and guitarist Dave Black return to The Wolf in Ballwin; and Wack-A-Doo will play swing, vintage jazz and Americana at Evangeline's.
Saturday, July 22
Dizzy Atmosphere returns to Missouri Botanical Garden for another "Garden of Glass" event; The WirePilots will have multi-instrumentalist Sandy Weltman as their special guest for a performance at the Webster Groves Concert Hall; and Sarah Jane and the Blue Notes return to the Venice Cafe.
Sunday, July 23
The St. Louis Jazz Club presents the St. Louis Stompers in a matinee performance at the Moolah Shrine Center, and Community Women Against Hardship's summer benefit at Ferring Jazz Bistro will feature Detroit-based saxophonist Yancyy with an ensemble including singer Anita Jackson, pianist Tony Suggs, bassist Jeff Anderson, and drummer Montez Coleman.
Monday, July 24
Trumpeter Jim Manley will play for diners and drinkers at Momo's Greek Restaurant.
Tuesday, July 25
Pianist Pat Joyce returns to Evangeline's, and saxophonist "Blind" Willie Dineen and the Broadway Collective will be back for their monthly gig at BB's Jazz, Blues & Soups.
For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.
(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)
Showing posts with label Samora Pinderhughes. Show all posts
Showing posts with label Samora Pinderhughes. Show all posts
Tuesday, 18 July 2017
Jazz this week: Samora Pinderhughes, Karl Denson's Tiny Universe, and more
Friday, 14 July 2017
StLJN Saturday Video Showcase: Samora Pinderhughes, jazz, and justice
This week, StLJN's video spotlight is focused on pianist and composer Samora Pinderhughes, who will be here in St. Louis to perform next Thursday, July 20 at the Pulitzer Arts Foundation.
A 25-year-old Juilliard graduate who grew up in Berkeley, CA and now lives in Harlem, Pinderhughes has toured with jazz artists including Christian Scott aTunde Adjuah and Branford Marsalis.
For his performance here, the pianist will lead a quartet with Scott, bassist Luques Curtis, and percussionist Mark Whitfield, Jr, playing music inspired by his soundtrack for the documentary Whose Streets?, which was co-directed and produced by St. Louis artist and activist Damon Davis (aka FarFetched).
Writing the soundtrack for a film about the killing of Michael Brown in Ferguson and the subsequent protests would seem to fit neatly with Pinderhughes' ongoing interest in multidisciplinary projects that address social issues, as exemplified by "The Transformations Suite," which has brought him to wide public attention since the release last November of his album of the same name.
A multi-media event combining music, words and visuals that took the composer/pianist five years to complete, "Transformations Suite" examines the history of oppression and protest throughout the African-American diaspora, connecting contemporary issues like social justice and prison reform with the history of "revolutionary movements of color."
"Transformations Suite" was the subject earlier this year of an episode of NPR's "Jazz Night in America," and you can see that recording, made at the Way Christian Center in Berkeley, in the first embedded window up above.
In addition to Pinderhughes, the ensemble includes his key collaborators Jeremie Harris, who performs the spoken word parts, and Jehbreal Muhammad Jackson, who sings lead vocals, along with Riley Mulherkar (trumpet), Lucas Pino (tenor sax), Joshua Crumbly (bass), and Jimmy Macbride (drums).
After the jump, you can see an earlier performance of "Cycles," one segment of the "The Transformations Suite," recorded in May, 2016 at Joe's Pub in New York City. The ensemble features Pinderhughes, Jackson, Harris, Mulkerhar, Pino, and Macbride, plus the leader's younger sister Elena Pinderhughes on flute and vocals, Tony Lustig on baritone sax, and Clovis Nicolas on bass.
After that, there are a couple more videos demonstrating Pinderhughes' penchant for collaboration and socially relevant topics, as he performs "Black is the Color" with poet Jules Latimer and "For Those Lost" with singer Lalah Hathaway.
Finally, you can see a couple of clips of Pinderhughes playing other peoples' music. The penultimate video is a medley of "Cosmia" by Joanna Newsom and "Over There" by Derrick Hodge, recorded in 2013 at La Pe�a in Berkeley and featuring the Pinderhughes siblings, Jackson, Crumbly, and Macbride.
And for something completely different, the last video shows Pinderhughes as part of a group backing singer Claudia Acuna, recorded in 2015 as part of the NYC club Jazz Gallery's "Mentoring Series."
For more about Samora Pinderhughes, check out the recent coverage of him and his work from Salon.com, CBC, and the Village Voice.
You can see the rest of today's videos after the jump...
Thursday, 13 July 2017
So What: Local News, Notes & Links
Here's StLJN's latest wrap-up of assorted links and short news items of local interest:
* The Regional Arts Commission is holding a workshop on how to apply for one of their Artist Fellowships at 5:30 p.m. Tuesday, August 1 at RAC headquarters, 6128 Delmar Blvd.
Awarded annually, the fellowships recognize ten individuals with grants of $25,000 each, and are open to visual and performing artists from all disciplines.The workshop is free and open to the public; the application period for next year's fellowships ends on Thursday, August 10. For details or to RSVP, go here.
* The latest issue of the St. Louis Blues Society's Bluesletter includes writer Michael Kuelker's remembrances of Mark O'Shaughnessey, the late co-founder/owner of BB's Jazz Blues and Soups.
* Pianist and composer Samora Pinderhughes is the subject of a brief interview/feature written by musician Lamar Harris for St. Louis magazine.
Pinderhughes (pictured) will perform (with trumpeter Christian Scott aTunde Adjuah as his special guest) next Thursday, July 20 at the Pulitzer Arts Foundation.
* DownBeat magazine has opened the voting in their 82nd annual Readers Poll. You can cast a vote for your favorites online here.
* Saxquest is posting to their YouTube channel more videos from their free monthly Saturday afternoon performance series, including the shows by Ben Reece's Unity Quartet in April and Hugh Jones in May.
* Pianist Jim Hegarty has posted another new free improv recording to his "Secret Sessions" BandCamp page, this time featuring clarinetist Eric Paul Mandat, pianist Greg Mills, trumpeter George Sams, and flute player Fred Tompkins.
* A couple of off-the-beaten-path items about Miles Davis showed up this past week in the media, as a story in Autoweek recounted the trumpeter's opinion on Ferraris, while OpenCulture.com compiled some of the insults hurled by Davis over the years at fellow musicians.
* The Regional Arts Commission is holding a workshop on how to apply for one of their Artist Fellowships at 5:30 p.m. Tuesday, August 1 at RAC headquarters, 6128 Delmar Blvd.
Awarded annually, the fellowships recognize ten individuals with grants of $25,000 each, and are open to visual and performing artists from all disciplines.The workshop is free and open to the public; the application period for next year's fellowships ends on Thursday, August 10. For details or to RSVP, go here.
* The latest issue of the St. Louis Blues Society's Bluesletter includes writer Michael Kuelker's remembrances of Mark O'Shaughnessey, the late co-founder/owner of BB's Jazz Blues and Soups.
* Pianist and composer Samora Pinderhughes is the subject of a brief interview/feature written by musician Lamar Harris for St. Louis magazine.
Pinderhughes (pictured) will perform (with trumpeter Christian Scott aTunde Adjuah as his special guest) next Thursday, July 20 at the Pulitzer Arts Foundation.
* DownBeat magazine has opened the voting in their 82nd annual Readers Poll. You can cast a vote for your favorites online here.
* Saxquest is posting to their YouTube channel more videos from their free monthly Saturday afternoon performance series, including the shows by Ben Reece's Unity Quartet in April and Hugh Jones in May.
* Pianist Jim Hegarty has posted another new free improv recording to his "Secret Sessions" BandCamp page, this time featuring clarinetist Eric Paul Mandat, pianist Greg Mills, trumpeter George Sams, and flute player Fred Tompkins.
* A couple of off-the-beaten-path items about Miles Davis showed up this past week in the media, as a story in Autoweek recounted the trumpeter's opinion on Ferraris, while OpenCulture.com compiled some of the insults hurled by Davis over the years at fellow musicians.
Friday, 30 June 2017
Samora Pinderhughes to perform Thursday, July 20 at Pulitzer Foundation for the Arts
Pianist Samora Pinderhughes is coming to St. Louis to perform at 7:00 p.m. Thursday, July 20 at the Pulitzer Foundation for the Arts in Grand Center.
Pinderhughes (pictured) will play music inspired by the Pulitzer's exhibition "Blue Black" and by his score for the documentary film Whose Streets?, which was co-directed and produced by St. Louis activist and artist Damon Davis (aka FarFetched). He'll be accompanied by bassist Luques Curtis, percussionist Mark Whitfield, Jr. and special guest trumpeter Christian Scott aTunde Adjuah.
A Juilliard graduate who's in his mid-twenties, Pinderhughes grew up in Berkeley, CA and now lives in Harlem. In addition to his solo career, he's performed or recorded as a sideman with Scott, Branford Marsalis, Harvey Mason, and others.
Pinderhughes also has made news recently with his album The Transformations Suite, released last year as part of a multimedia work that NPR calls "inspired by African-American resistance and protest movements, as well as the oppression that many still endure."
While Pinderhughes' performance at the Pulitzer is free and open to the public, promotional materials say that "a suggested donation of $5-20 in support of the artists is welcomed. Please pay only what you can. Space will be limited, so early arrival is encouraged."
Pinderhughes (pictured) will play music inspired by the Pulitzer's exhibition "Blue Black" and by his score for the documentary film Whose Streets?, which was co-directed and produced by St. Louis activist and artist Damon Davis (aka FarFetched). He'll be accompanied by bassist Luques Curtis, percussionist Mark Whitfield, Jr. and special guest trumpeter Christian Scott aTunde Adjuah.
A Juilliard graduate who's in his mid-twenties, Pinderhughes grew up in Berkeley, CA and now lives in Harlem. In addition to his solo career, he's performed or recorded as a sideman with Scott, Branford Marsalis, Harvey Mason, and others.
Pinderhughes also has made news recently with his album The Transformations Suite, released last year as part of a multimedia work that NPR calls "inspired by African-American resistance and protest movements, as well as the oppression that many still endure."
While Pinderhughes' performance at the Pulitzer is free and open to the public, promotional materials say that "a suggested donation of $5-20 in support of the artists is welcomed. Please pay only what you can. Space will be limited, so early arrival is encouraged."
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