Here's StLJN's latest wrap-up of assorted links and short news items of local interest:
* Citing his ongoing treatment for prostate cancer, trumpeter Hugh Masekela has cancelled all of his upcoming appearances, including his scheduled performance in St. Louis on Saturday, April 14 at The Sheldon as part of the Jazz Epistles reunion with pianist Abdullah Ibrahim and Ekaya.
A statement released by The Sheldon said the concert still will go on as scheduled, with a replacement trumpeter to be announced at a later date.
* In advance of their show with Douglas Ewart this Saturday, STL Free Jazz Collective members Jim Hegarty and "Baba" Mike Nelson talked with writer Thomas Crone for a feature story in the Riverfront Times.
* Trumpeter Keyon Harrold's new album The Mugician (pictured) was reviewed favorably by Jazz Times and PopMatters.com.
* Drummer Mark Colenburg has released a new instructional book and video, The Beat Matrix Unlocked, which is described as creating "a new template for the art of hip-hop drumming."
* The subscription service Vinyl Me Please has made an LP reissue of Miles Davis' 1967 album Sorcerer their "record of the month" for December 2017.
The reissue was remastered from the original tapes, pressed on 180g vinyl colored "orchid purple," and includes an eight-page booklet with liner notes by former New York Times scribe Ben Ratliff plus a 12" x 12" original art print by Santiago Carrasquilla.
Thursday, 30 November 2017
Tuesday, 28 November 2017
Jazz this week: Jane Monheit, Douglas Ewart and the STL Free Jazz Collective, Battle Trance, holiday jazz begins, and more
This week's busy calendar of live jazz and creative music in St. Louis includes a return engagement from one of the most popular female vocalists in jazz; a couple of shows featuring adventurous woodwind players; the first few of what will be many holiday-themed concerts for the season; and more.
Let's go to the highlights...
Wednesday, November 29
Singer Jane Monheit returns to St. Louis for the first of four nights at Jazz at the Bistro. Monheit (pictured, top left) last performed here in 2015 with singer and guitarist John Pizzarelli at the Sheldon's annual benefit gala, and before that in 2014 at the Bistro.
She first won wide public attention shortly after the turn of the century, applying a plush vocal tone and a sure sense of swing to mostly standards from the Great American Songbook. Since then, Monheit has released a dozen albums as a leader, and also made guest appearances on record with a wide variety of performers, from fellow singers such as Sara Gazarek and Tony DeSare to instrumentalists including David Benoit, Ray Brown Jr., and many others.
After recording for five different labels, including Sony, Concord, and Decca/EmArcy. Monheit in 2016 started her own record company, Emerald City Records, inaugurating the imprint with the release of The Songbook Sessions, a tribute to Ella Fitzgerald. Listeners this week at the Bistro can expect an emphasis on that material, though the multi-night gig also should give Monheit a chance to dig into her back catalog as well.
Also on Wednesday, singer Joe Mancuso continues his weekly gig at Taha'a Twisted Tiki in The Grove; the Cary Colman Jazz Trio plays at Evangeline's; and this week's "Grand Center Jazz Crawl" features Jacob Alspach at Squatters Cafe/The Stage at KDHX, the jam session led by bassist Bob DeBoo at the Kranzberg Arts Center, and trumpeter Kasimu Taylor's band at The Dark Room.
Thursday, November 30
Guitarist Vincent Varvel leads a quartet in a free concert for the Jazz at Holmes series at Washington University; the Liberation Organ Trio plays at Evangeline's; singer Feyza Eren and her quartet will perform at Joe's Cafe; and saxophonist Ben Reece's Unity Quartet returns to The Dark Room.
Friday, December 1
Pianist Carolbeth True and Two Times True with guest vocalist Kim Fuller will perform at the Webster Groves Concert Hall; singer/guitarist Tommy Halloran continues his weekly residency at Das Bevo Underground; and saxophonist Tim Cunningham is at Troy's Jazz Gallery.
Saturday,
December 2
Freddie Washington will be the latest local saxophonist to be featured in Saxquest's series of free Saturday matinee performances, while just down the street at Dead Wax Records, Battle Trance will be promoting their Saturday evening show for New Music Circle with a free in-store performance.
Then, as fate would have it, Saturday evening offers a tough choice for fans of woodwinds and/or creative music, with two shows of interest happening simultaneously.
Battle Trance (pictured, center left), who will be making their St. Louis debut in their Saturday evening concert at The Luminary, is an ensemble of four tenor saxophonists who use extended techniques to play music that's a mix of composition and improvisation, though it can be hard to tell where one ends and the other begins. You can find out more about them, and see videos of some sample live performances, in this post from a couple of Saturdays ago.
Meanwhile, across town in the Old North neighborhood, multi-instrumentalist Douglas Ewart will be in town to join the STL Free Jazz Collective for a free concert at the 14th St. Artist Community.
Ewart (pictured, bottom left), who plays a whole arsenal of woodwinds, percussion, and self-made instruments, was one of early members of Chicago's Association for the Advancement of Creative Musicians, and has performed and/or recorded with many of the most important creative musicians of the past half-century. There's more about Ewart, including videos of some of his live performances, in this post from last Saturday.
Sunday, December 3
It's another day for matinees, as the St. Louis Jazz Club presents Cornet Chop Suey playing traditional jazz and swing at the Moolah Shrine Temple, while the Friends of Scott Joplin present their monthly "Ragtime Rendezvous" at the Scott Joplin House State Historic Site's Rosebud Cafe.
Also on Sunday afternoon, the UMSL Jazz Ensemble directed by Jim Widner, Vocal Point, and University Orchestra will present their annual free concert, "UMSL's Jazz For The Holidays," at the Touhill Performing Arts Center; and trumpeter Randy Holmes, singer and impressionist Dean Christopher, and a mini-big band will pay tribute to Frank Sinatra and Hoagy Carmichael at the Webster Groves Concert Hall.
Monday, December 4
Trumpeter Jim Manley is back at Momo's Greek Restaurant, and Washington University's student jazz combos will show off what they've learned this semester in a free performance at the 560 Music Center.
Tuesday, December 5
Dean Christopher, having a busy week, headlines "A Vegas 'Rat Pack and More' Christmas" at the Sheldon Concert Hall.
For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.
(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)
Let's go to the highlights...
Wednesday, November 29
Singer Jane Monheit returns to St. Louis for the first of four nights at Jazz at the Bistro. Monheit (pictured, top left) last performed here in 2015 with singer and guitarist John Pizzarelli at the Sheldon's annual benefit gala, and before that in 2014 at the Bistro.
She first won wide public attention shortly after the turn of the century, applying a plush vocal tone and a sure sense of swing to mostly standards from the Great American Songbook. Since then, Monheit has released a dozen albums as a leader, and also made guest appearances on record with a wide variety of performers, from fellow singers such as Sara Gazarek and Tony DeSare to instrumentalists including David Benoit, Ray Brown Jr., and many others.
After recording for five different labels, including Sony, Concord, and Decca/EmArcy. Monheit in 2016 started her own record company, Emerald City Records, inaugurating the imprint with the release of The Songbook Sessions, a tribute to Ella Fitzgerald. Listeners this week at the Bistro can expect an emphasis on that material, though the multi-night gig also should give Monheit a chance to dig into her back catalog as well.
Also on Wednesday, singer Joe Mancuso continues his weekly gig at Taha'a Twisted Tiki in The Grove; the Cary Colman Jazz Trio plays at Evangeline's; and this week's "Grand Center Jazz Crawl" features Jacob Alspach at Squatters Cafe/The Stage at KDHX, the jam session led by bassist Bob DeBoo at the Kranzberg Arts Center, and trumpeter Kasimu Taylor's band at The Dark Room.
Thursday, November 30
Guitarist Vincent Varvel leads a quartet in a free concert for the Jazz at Holmes series at Washington University; the Liberation Organ Trio plays at Evangeline's; singer Feyza Eren and her quartet will perform at Joe's Cafe; and saxophonist Ben Reece's Unity Quartet returns to The Dark Room.
Friday, December 1
Pianist Carolbeth True and Two Times True with guest vocalist Kim Fuller will perform at the Webster Groves Concert Hall; singer/guitarist Tommy Halloran continues his weekly residency at Das Bevo Underground; and saxophonist Tim Cunningham is at Troy's Jazz Gallery.
Saturday,
December 2
Freddie Washington will be the latest local saxophonist to be featured in Saxquest's series of free Saturday matinee performances, while just down the street at Dead Wax Records, Battle Trance will be promoting their Saturday evening show for New Music Circle with a free in-store performance.
Then, as fate would have it, Saturday evening offers a tough choice for fans of woodwinds and/or creative music, with two shows of interest happening simultaneously.
Battle Trance (pictured, center left), who will be making their St. Louis debut in their Saturday evening concert at The Luminary, is an ensemble of four tenor saxophonists who use extended techniques to play music that's a mix of composition and improvisation, though it can be hard to tell where one ends and the other begins. You can find out more about them, and see videos of some sample live performances, in this post from a couple of Saturdays ago.
Meanwhile, across town in the Old North neighborhood, multi-instrumentalist Douglas Ewart will be in town to join the STL Free Jazz Collective for a free concert at the 14th St. Artist Community.
Ewart (pictured, bottom left), who plays a whole arsenal of woodwinds, percussion, and self-made instruments, was one of early members of Chicago's Association for the Advancement of Creative Musicians, and has performed and/or recorded with many of the most important creative musicians of the past half-century. There's more about Ewart, including videos of some of his live performances, in this post from last Saturday.
Sunday, December 3
It's another day for matinees, as the St. Louis Jazz Club presents Cornet Chop Suey playing traditional jazz and swing at the Moolah Shrine Temple, while the Friends of Scott Joplin present their monthly "Ragtime Rendezvous" at the Scott Joplin House State Historic Site's Rosebud Cafe.
Also on Sunday afternoon, the UMSL Jazz Ensemble directed by Jim Widner, Vocal Point, and University Orchestra will present their annual free concert, "UMSL's Jazz For The Holidays," at the Touhill Performing Arts Center; and trumpeter Randy Holmes, singer and impressionist Dean Christopher, and a mini-big band will pay tribute to Frank Sinatra and Hoagy Carmichael at the Webster Groves Concert Hall.
Monday, December 4
Trumpeter Jim Manley is back at Momo's Greek Restaurant, and Washington University's student jazz combos will show off what they've learned this semester in a free performance at the 560 Music Center.
Tuesday, December 5
Dean Christopher, having a busy week, headlines "A Vegas 'Rat Pack and More' Christmas" at the Sheldon Concert Hall.
For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.
(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)
The Baylor Project earns two nominations in 60th Annual Grammy Awards
The Baylor Project, featuring singer Jean Baylor and her husband, drummer and St. Louis native Marcus Baylor, has received two nominations in the 60th Annual Grammy Awards.
The Baylors (pictured) were nominated in the "Best Jazz Vocal Album" category for their debut album The Journey, and for "Best R&B Performance" for their song "Laugh and Move On."
Released in February of this year on the Baylors' Be A Light label, The Journey debuted at No 8 on the Billboard Jazz Chart, and got a favorable reception from media outlets including All About Jazz, Hot House, Soul Tracks, Soulbounce, Modern Drummer, The Chicago Defender, Revive Music, and more.
The 60th Annual Grammy Awards ceremony will take place on Sunday, January 28 at Madison Square Garden in New York City, with portions broadcast live on CBS. You can see the full list of nominees here.
The Baylor Project will perform in St. Louis from Wednesday, March 28 through Saturday, March 31 at Jazz at the Bistro.
The Baylors (pictured) were nominated in the "Best Jazz Vocal Album" category for their debut album The Journey, and for "Best R&B Performance" for their song "Laugh and Move On."
Released in February of this year on the Baylors' Be A Light label, The Journey debuted at No 8 on the Billboard Jazz Chart, and got a favorable reception from media outlets including All About Jazz, Hot House, Soul Tracks, Soulbounce, Modern Drummer, The Chicago Defender, Revive Music, and more.
The 60th Annual Grammy Awards ceremony will take place on Sunday, January 28 at Madison Square Garden in New York City, with portions broadcast live on CBS. You can see the full list of nominees here.
The Baylor Project will perform in St. Louis from Wednesday, March 28 through Saturday, March 31 at Jazz at the Bistro.
Victor Wooten Trio returning to perform Tuesday, March 27 at Old Rock House
Bassist Victor Wooten's trio, featuring drummer Dennis Chambers and saxophonist Bob Franceschini, is coming back to St. Louis to perform at 8:00 p.m. Tuesday, March 27 at the Old Rock House.
Interestingly, the gig will come exactly 364 days after their last performance here at the Old Rock House, on Tuesday, March 28, 2017.
Since then, Wooten in September of this year released TRYPNOTYX, which is his first new recording in five years and features the trio (pictured).
Wooten also played here in June with his family band, the Wooten Brothers, headlining the Chesterfield Jazz Festival at the Chesterfield Amphitheater.
Tickets for the all-ages show are $32 and will go on sale at 10:00 a.m. this Friday, November 30 via the Old Rock House's website and all Metrotix outlets.
Interestingly, the gig will come exactly 364 days after their last performance here at the Old Rock House, on Tuesday, March 28, 2017.
Since then, Wooten in September of this year released TRYPNOTYX, which is his first new recording in five years and features the trio (pictured).
Wooten also played here in June with his family band, the Wooten Brothers, headlining the Chesterfield Jazz Festival at the Chesterfield Amphitheater.
Tickets for the all-ages show are $32 and will go on sale at 10:00 a.m. this Friday, November 30 via the Old Rock House's website and all Metrotix outlets.
Monday, 27 November 2017
Ramsey Lewis to headline benefit gala on Friday, April 13 at The Sheldon
Pianist Ramsey Lewis is returning to St. Louis next year to headline the Sheldon Concert Hall and Art Galleries' annual benefit gala at 8:30 p.m., Friday, April 13.
Lewis (pictured), an NEA Jazz Master who's known for groove-oriented hits from "The In Crowd" to "Sun Goddess" and more, will perform a program featuring his interpretations of the music of the Beatles, including songs such as �And I Love Her� and �A Hard Day�s Night,� plus some favorites from his own extensive catalog.
Lewis last played in St. Louis in November 2015 for The Sheldon's "ArtSounds" benefit. His most recent recording is 2011's Taking Another Look on the Hidden Beach label.
Tickets for the benefit gala are on sale now, starting at $500, and can be purchased by calling The Sheldon at 314-533-9900. Gala tickets include pre-concert cocktails and hors d�oeuvres, dinner, preferred concert seating, complimentary valet parking and a tax deduction. Proceeds from the event will benefit the concerts, gallery exhibitions and educational programs of the Sheldon Concert Hall and Art Galleries.
Concert-only tickets will be $45 orchestra, $40 front balcony, $35 rear balcony, and will go on sale at 10:00 a.m. Friday, March 2 via The Sheldon's website and from MetroTix.
Lewis (pictured), an NEA Jazz Master who's known for groove-oriented hits from "The In Crowd" to "Sun Goddess" and more, will perform a program featuring his interpretations of the music of the Beatles, including songs such as �And I Love Her� and �A Hard Day�s Night,� plus some favorites from his own extensive catalog.
Lewis last played in St. Louis in November 2015 for The Sheldon's "ArtSounds" benefit. His most recent recording is 2011's Taking Another Look on the Hidden Beach label.
Tickets for the benefit gala are on sale now, starting at $500, and can be purchased by calling The Sheldon at 314-533-9900. Gala tickets include pre-concert cocktails and hors d�oeuvres, dinner, preferred concert seating, complimentary valet parking and a tax deduction. Proceeds from the event will benefit the concerts, gallery exhibitions and educational programs of the Sheldon Concert Hall and Art Galleries.
Concert-only tickets will be $45 orchestra, $40 front balcony, $35 rear balcony, and will go on sale at 10:00 a.m. Friday, March 2 via The Sheldon's website and from MetroTix.
Saturday, 25 November 2017
Sunday Session: November 26, 2017
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| Jon Hendricks |
* Recording Sgt. Pepper's: Unpublished Conversations with George Martin, Geoff Emerick, and Ken Townsend (Reverb.com)
* Review: Berlin Jazz Festival 2017 (Jazz Journal)
* Bright Moments With Louis Hayes (Jazz Times)
* The music you didn�t realize you grew up with: Chip Tanaka�s 8-bit revolution (Japan Times)
* The Vast, Versatile Range Of C�cile McLorin Salvant (NPR)
* Bandcamp Is Bringing Back the Record Rack (Jazz Times)
* The New Golden Age Of Jazz (LNWY.co)
* Mick Goodrick: Six-String Theorist (Jazz Times)
* Steely Dan Singer Sues Bandmate's Estate (Billboard)
* Quietly successful: Meet the man behind ECM Records (Irish Examiner)
* The vinyl frontier: why do we keep sending music to outer space? (The Guardian)
* Epidemic Sound gives its side of the Spotify �fake artists� controversy (Musically.com)
* Spotify�s Top �Fake Artists� Make Six-Figure Salaries (DigitalMusicNews.com)
* The Inventive Traditions of South African Jazz (Bandcamp.com)
* Dickey Betts: The Lost Allman Brother (Rolling Stone)
* Jon Hendricks, Genre-Pushing Jazz Vocalist, Dead At 96 (NPR)
* Toledo jazz vocalist Jon Hendricks redefined jazz (Toledo Blade)
* George Avakian Dies at 98 - Groundbreaking producer and manager worked with Miles, Armstrong, Ellington, Lloyd, Jarrett and others (Jazz Times)
* George Avakian, Record Producer of Singular Influence, Dies at 98 (WBGO)
* The World of Captain Beefheart: An Interview with Gary Lucas and Nona Hendryx (Popmatters.com)
* Musicians Backstage in the 1970s: The Photos (Esquire)
* Clifford Brown - The Bach of Jazz (Jazz in Europe)
* George Clinton talks back (Offbeat)
* The Delights of Parsing the Beatles' Most Nonsensical Song (The Atlantic)
* The FBI's Long, Alarming History of Investigating Black Musicians (Pacific Standard)
* INTERVIEW: Reid Anderson of The Bad Plus (London Jazz News)
Friday, 24 November 2017
StLJN Saturday Video Showcase: Spotlight on Douglas Ewart
Today, let's take a look at some videos featuring multi-instrumentalist Douglas Ewart, who's coming to St. Louis to perform with the STL Free Jazz Collective in a free concert next Saturday, December 2 at the 14th Street Artists Community.
Ewart, who's 71 years old, plays various saxophones and woodwind instruments, hand drums, and instruments of his own design. Born in Jamaica, he moved to Chicago as a teenager, and first gained wide attention as an early member of that city's Association for the Advancement of Creative Musicians, later serving as the AACM's president from 1979 to 1986.
He has led his own bands in a variety of instrumental configurations and multi-disciplinary performances, and has recorded as a leader and collaborator with many of the well-known musicians associated with the AACM, as well as with Anthony Braxton, Cecil Taylor, and various other creative improvisors and composers.
Given that Ewart and his St. Louis collaborators will be improvising most, if not all, of next Saturday's performance, there's no way to "preview" the show in terms of specific musical content. That said, today's collection of videos, drawn from various Ewart performances in the last eight years, should provide at least some idea of his sound and general approach to making music.
First up is an excerpt from Ewing's set at an observance of John Coltrane's 90th birthday in September 2016 at the Church of the Advocate in Philadelphia, in which he plays solo with two dancers, Jay Jao and Taiga Ultan.
After the jump, you can see a couple of excerpts from the set performed by Ewart and his band Inventions in September 2015 at the Chicago Jazz Festival in Millennium Park. Along with Ewart, the group includes Mankwe Ndosi (voice, poetry, percussion), Maggie Brown (voice, percussion), Duriel Harris (poetry, percussion), Dee Alexander (voice, percussion), Mwata Bowden (winds, percussion), Edward Wilkerson (winds, percussion), Jeff Parker (guitar), Dushun Mosley (drums), Darius Savage (bass), Kidd Jordan (saxophone), and Willie Pickens (piano).
The fourth clip is a piece called "Manalapho," written in 2013 in tribute to Trayvon Martin, the Florida teenager killed in a 2012 shooting that sparked outrage across the country.
That's followed by Ewart and another iteration of Inventions, as recorded in 2009 at the Vision Festival in NYC. This version of the group features Ewart, the Art Ensemble of Chicago's Joseph Jarman and St. Louis' own J.D. Parran on various woodwinds, along with pianist Donald Smith, percussionist Thurman Barker, and poet Amiri Baraka.
The final video is an interview with Ewart, recorded in 2011 on the occasion of the release of his album Songs of Sunlife on innova Recordings, in which he discusses the album, his life, and influences.
For more about Douglas Ewart, check out the interview with him published in 2015 on the website of the Walker Art Center in Minneapolis, where Ewart now lives; and his interview from that same year with the NY Jazz Record.
You can see the rest of today's videos after the jump...
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