Showing posts with label Jon Hendricks. Show all posts
Showing posts with label Jon Hendricks. Show all posts

Saturday, 2 December 2017

Sunday Session: December 3, 2017

The Soul Rebels
Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* The Grateful Dead Levitate Egypt�s Pyramids Under A Lunar Eclipse (Flashbak.com)
* Rudy Royston on Cymbal Creativity (Jazz Times)
* A War Is Brewing in the Steely Dan Universe (Vulture.com)
* Walter Becker Estate Responds to Donald Fagen's Steely Dan Lawsuit (Paste)
* 'We could build something revolutionary': how tech set underground music free (The Guardian)
* What Thelonious Monk's Most Famous Composition Owes to Dizzy Gillespie (WBGO)
* Tricky Repertoire: The Soul Rebels step out of the box (Offbeat)
* Within The Context Of All Contexts: The Rewiring Of Our Relationship To Music (NPR)
* Antoine �Fats� Domino Jr. (February 26, 1928 � October 24, 2017) (Offbeat)
* Have Scientists Found a Secret Chord for Happy Songs? (Scientific American)
* Jon Hendricks obituary (The Guardian)
* Billy Childs, Fred Hersch and Chris Potter Lead the Jazz Nominees for the 60th Grammy Awards (WBGO)
* The Payola Blues: New Technology, Same Old Tune? (Hhhhappy.com)
* 17 of the Greatest Televised Moments in Music History (Soundfly.com)
* John McLaughlin on his final US tour and playing with Miles Davis (Chicago Tribune)
* Mel Martin, Stalwart of the Bay Area Jazz Scene, Dead at 75 (KQED)
* Kurt Elling Channels Divinity, Philosophy, and Poetry into Jazz (San Francisco Classical Voice)
* What the hell�s happening to music�s trade press? (And what does it mean for the rest of us?) (MusicBusinessWorldwide.com)
* A Brief History of Funk (Afropop.org)
* What Music-Playing Plants Can Teach Us About Consciousness (Hyperallergic.com)
* Clarke Peters: from green hair to good times, Louis Jordan brought joy to my world (The Guardian)
* Antonio Sanchez: Immigrant Songs (Jazz Times)
* Deck the Halls with Vince Guaraldi (The New Yorker)
* Hermeto Pascoal's Music Reaches Far Into The Stratosphere (NPR)
* The Tree That Rocked The Music Industry (NPR)
* Mickey Hart On His Experimental New Solo Album And Why It�s Impossible For Him To Leave The Grateful Dead (Uproxx.com)
* Jimmy Iovine Breaks Down What's Wrong With the Music Business, Warns Against Overoptimism in Streaming: 'They're Not Making Money' (Billboard)
* For Women in Jazz, a Year of Reckoning and Recognition (New York Times)

Saturday, 25 November 2017

Sunday Session: November 26, 2017

Jon Hendricks
Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* Recording Sgt. Pepper's: Unpublished Conversations with George Martin, Geoff Emerick, and Ken Townsend (Reverb.com)
* Review: Berlin Jazz Festival 2017 (Jazz Journal)
* Bright Moments With Louis Hayes (Jazz Times)
* The music you didn�t realize you grew up with: Chip Tanaka�s 8-bit revolution (Japan Times)
* The Vast, Versatile Range Of C�cile McLorin Salvant (NPR)
* Bandcamp Is Bringing Back the Record Rack (Jazz Times)
* The New Golden Age Of Jazz (LNWY.co)
* Mick Goodrick: Six-String Theorist (Jazz Times)
* Steely Dan Singer Sues Bandmate's Estate (Billboard)
* Quietly successful: Meet the man behind ECM Records (Irish Examiner)
* The vinyl frontier: why do we keep sending music to outer space? (The Guardian)
* Epidemic Sound gives its side of the Spotify �fake artists� controversy (Musically.com)
* Spotify�s Top �Fake Artists� Make Six-Figure Salaries (DigitalMusicNews.com)
* The Inventive Traditions of South African Jazz (Bandcamp.com)
* Dickey Betts: The Lost Allman Brother (Rolling Stone)
* Jon Hendricks, Genre-Pushing Jazz Vocalist, Dead At 96 (NPR)
* Toledo jazz vocalist Jon Hendricks redefined jazz (Toledo Blade)
* George Avakian Dies at 98 - Groundbreaking producer and manager worked with Miles, Armstrong, Ellington, Lloyd, Jarrett and others (Jazz Times)
* George Avakian, Record Producer of Singular Influence, Dies at 98 (WBGO)
* The World of Captain Beefheart: An Interview with Gary Lucas and Nona Hendryx (Popmatters.com)
* Musicians Backstage in the 1970s: The Photos (Esquire)
* Clifford Brown - The Bach of Jazz (Jazz in Europe)
* George Clinton talks back (Offbeat)
* The Delights of Parsing the Beatles' Most Nonsensical Song (The Atlantic)
* The FBI's Long, Alarming History of Investigating Black Musicians (Pacific Standard)
* INTERVIEW: Reid Anderson of The Bad Plus (London Jazz News)

Saturday, 17 June 2017

Sunday Session: June 18, 2017

Ornette Coleman
Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* Trombone Shorty: Living for the Crescent City (Jazz Times)
* 10 Musicians Look Back on the Albums They Don�t Remember Recording (SPIN)
* Web Exclusive: Hal Blaine (Modern Drummer)
* Tom Oberheim On The Art Of Synthesizer Design (Synthtopia.com)
* After 7 Decades, Sonny Rollins Can't Get Music Off His Mind (NPR)
* Charlie Parker's Yardbird review � beauty, anger and poetry, but the jazz great's genius eludes us (The Guardian)
* Do Androids Dream of Electric Guitars? Exploring the Future of Musical A.I. (Pitchfork.com)
* Interview: Airto Moreira (RedBullMusicAcademy.com)
* National Endowment for the Arts Announces 2018 Class of NEA Jazz Masters (Arts.gov)
* Gregg Allman: The Wild Times, Lost Years and Rebirth of a Southern-Rock Legend (Rolling Stone)
* Transcending genre labels, Vijay Iyer leads the Ojai Music Festival toward bold new territory (Los Angeles Times)
* Go-Go Forever - The rise, fall, and afterlife of Washington, D.C.�s ultimate rhythm (MTV.com)
* Steve Earle: 'My wife left me for a younger, skinnier, less talented singer' (The Guardian)
* This interracial couple endured discrimination and bullying � but loved each other until the end (Washington Post)
* All That Jazz: The Business Of Over 35 Years At The Blue Note Jazz Club (Forbes)
* Guest Editorial: Why Musicians Don�t Get Paid�A New Orleans Musician�s View (Offbeat)
* A new generation of jazz comes to the fore at Tokyo Lab (Japan Times)
* Who killed the contemporary Christian music industry? (The Week)
* 2 guitars returned to Muddy Waters' heirs in ongoing estate battle (Chicago Tribune)
* Gibson Brands transforms guitar-making into diverse 'music lifestyle' firm (Los Angeles Times)
* Celebrate Ornette Coleman: Artists pay homage to the legendary avant-garde saxophonist (TheVinylFactory.com)