Sunday Session: December 3, 2017

The Soul Rebels

Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* The Grateful Dead Levitate Egypt�s Pyramids Under A Lunar Eclipse (Flashbak.com)
* Rudy Royston on Cymbal Creativity (Jazz Times)
* A War Is Brewing in the Steely Dan Universe (Vulture.com)
* Walter Becker Estate Responds to Donald Fagen's Steely Dan Lawsuit (Paste)
* 'We could build something revolutionary': how tech set underground music free (The Guardian)
* What Thelonious Monk's Most Famous Composition Owes to Dizzy Gillespie (WBGO)
* Tricky Repertoire: The Soul Rebels step out of the box (Offbeat)
* Within The Context Of All Contexts: The Rewiring Of Our Relationship To Music (NPR)
* Antoine �Fats� Domino Jr. (February 26, 1928 � October 24, 2017) (Offbeat)
* Have Scientists Found a Secret Chord for Happy Songs? (Scientific American)
* Jon Hendricks obituary (The Guardian)
* Billy Childs, Fred Hersch and Chris Potter Lead the Jazz Nominees for the 60th Grammy Awards (WBGO)
* The Payola Blues: New Technology, Same Old Tune? (Hhhhappy.com)
* 17 of the Greatest Televised Moments in Music History (Soundfly.com)
* John McLaughlin on his final US tour and playing with Miles Davis (Chicago Tribune)
* Mel Martin, Stalwart of the Bay Area Jazz Scene, Dead at 75 (KQED)
* Kurt Elling Channels Divinity, Philosophy, and Poetry into Jazz (San Francisco Classical Voice)
* What the hell�s happening to music�s trade press? (And what does it mean for the rest of us?) (MusicBusinessWorldwide.com)
* A Brief History of Funk (Afropop.org)
* What Music-Playing Plants Can Teach Us About Consciousness (Hyperallergic.com)
* Clarke Peters: from green hair to good times, Louis Jordan brought joy to my world (The Guardian)
* Antonio Sanchez: Immigrant Songs (Jazz Times)
* Deck the Halls with Vince Guaraldi (The New Yorker)
* Hermeto Pascoal's Music Reaches Far Into The Stratosphere (NPR)
* The Tree That Rocked The Music Industry (NPR)
* Mickey Hart On His Experimental New Solo Album And Why It�s Impossible For Him To Leave The Grateful Dead (Uproxx.com)
* Jimmy Iovine Breaks Down What's Wrong With the Music Business, Warns Against Overoptimism in Streaming: 'They're Not Making Money' (Billboard)
* For Women in Jazz, a Year of Reckoning and Recognition (New York Times)

Sunday Session: November 12, 2017

John McLaughlin

Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* Let's face the facts: Facebook controls classical music (OvergrownPath.com)
* Arts Critics Are Disappearing From Newspapers. Or, Wait, Is That The Good News? (ArtAndSeek.org)
* A Hard Day's Night: Solving a Beatles mystery with mathematics (ABC.net.au)
* Essential Solos: 40 Great Improvisations (Jazz Times)
* Van Morrison Announces New Album 'Versatile' (Rolling Stone)
* Field Notes: John McLaughlin & Jimmy Herring in NYC - Thinking about a jazz-guitar icon�s U.S. farewell tour (Jazz Times)
* Joni Mitchell Talks Exes, Addictions and Music in Candid, All-Access Biography (Rolling Stone)
* The demons and obsessions of jazz genius Thelonious Monk (The Guardian)
* Critic bashing - Defending the Music Media (Atavist.com)
* Blue Note Records Unveils a New Subscription Boxed Set Series, Blue Note Review (WBGO)
* The Strange World Of... Linda Sharrock (TheQuietus.com)
* The rise of �three-car garage rock� (Curbed.com)
* Why the indie band never dies: fake breakups, permanent adolescence and cash comebacks (The Guardian)
* Bill Frisell Receives Honorary Degree and Is Subject of Film (Jazz Times)
* I went to see La Monte Young playing in his New York loft, and you should do the same (Medium.com)
* 'Only 17th-century industrial bluegrass will do': your favourite weird records (The Guardian)
* 'Their DNA is forever ingrained in the keys' - Roman Rabinovich on playing composers' own pianos (TheArtsDesk.com)
* After Six Decades in the Vault, 'Ella at Zardi's' Brings New Shine to Ella Fitzgerald's Centennial (WBGO)
* Malleable Structures: An Interview with Tyshawn Sorey (Atavist.com)
* How Concert Ticket Prices Vary Across the U.S. (Wanderu.com)
* The Many Faces of Jazz Today: The Big Picture (AllAboutJazz.com)
* Return of the Top 40 Troubadour: How Singer-Songwriters Reclaimed Pop Radio (Billboard)
* Pat Metheny: Driving Forces (AllAboutJazz.com)
* �In five seconds my life changed. I was worse than the worst jazz snob� (Irish Times)
* A Jazz Centennial of a Seamier Sort: The End of Storyville, As Remembered Through the Ages (WBGO)
* Paul Buckmaster, Essential Arranger for David Bowie and Elton John, Dead at 71 (Rolling Stone)
* Meet Rufus Harley, the First Jazz Bagpiper (AtlasObscura.com)
* Herbie Hancock: �I like to discover new rules so I can break them� (The Guardian)

Sunday Session: November 5, 2017

Muhal Richard Abrams

Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* John McLaughlin on His Final U.S. Tour, Revisiting Mahavishnu Orchestra (Rolling Stone)
* Jack DeJohnette is a Deluxe Drummer (Montreal Gazette)
* Donald Fagen: �With Steely Dan there was no career plan� (The Times)
* 'I never envisaged what lay ahead�: the first issue of Rolling Stone (The Guardian)
* Music and space (Varsity.co.uk)
* Steely Dan reviewed, London O2 Arena, October 29, 2017 (Uncut.co.uk)
* Playlist: The Roots, And The Reach, Of Fats Domino (NPR)
* Russian Espionage and Electromagnetic Fields: The Story of the Theremin (RedBullMusicAcademy.com)
* Orrin Keepnews: Thelonious Monk�A Remembrance (Keyboard)
* Want to 'train your brain'? Forget apps, learn a musical instrument (The Guardian)
* When Bob Dylan Saw God (Esquire)
* Introducing: Quincy Jones� Qwest TV (Jazzwise)
* Breaking: Florida Supreme Court Rules That Oldies Recordings are Public Domain (DigitalMusicNews.com)
* Thelonious Monk: Tributes from Colleagues (Keyboard)
* Jazz Community Unites To Support Puerto Rico Relief Efforts (NPR)
* I can go for that: how soft rock finally got cool (The Guardian)
* Muhal Richard Abrams Dies at 87 - Hugely influential pianist-composer co-founded the AACM (Jazz Times)
* Muhal Richard Abrams, A Sweepingly Influential Jazz Artist, Has Died At Age 87 (NPR)
* Muhal Richard Abrams, jazz champion and innovator, dies at 87 (Chicago Tribune)
* Muhal Richard Abrams, An Artist Always Looking Forward, Leaves Us Behind (WBGO)
* The Musical Revolution of Muhal Richard Abrams (The New Yorker)
* Billie Holiday to perform live in Los Angeles 58 years after her death (The Independent)
* Chuck D of Public Enemy and Prophets of Rage opens up about the history of rap and hip-hop (Orange County Register)
* This Kennedy Center director is making performance art out of jazz. Can he bring fans along? (Washington Post)
* Sonny Rollins Spent A Mythical 'Night at the Village Vanguard' 60 Years Ago Today (NPR)
* Bad Plus thrills fans at SFJazz Center on last tour of original lineup (SFGate.com)
* Will Spotify Kill the Local Music Scene? (ElectricLiterature.com)
* How Advertisers Get Away With Using Fake Versions of Your Favorite Songs (Pitchfork)

Jazz this week: John Pizzarelli, Sammy Miller and the Congregation, a tribute to Thelonious Monk, and more

This week's calendar of jazz and creative music in St. Louis includes the St. Louis debut of an up-and-coming young band; a tribute to a distinctive jazz composer and pianist; the return of a longtime local favorite for a benefit performance; and more. 

Let's go to the highlights...

Wednesday, October 25
Pianist Adam Maness, bassist Bob DeBoo and drummer Montez Coleman will salute one of the greatest composers in jazz in the first of two nights of a "Thelonious Monk Centennial Celebration" at Jazz at the Bistro.

Also on Wednesday, the weekly "Grand Center Jazz Crawl" features cornetist and singer T.J M�ller at KDHX's Magnolia Cafe, a jam session at the Kranzberg Arts Center, and trumpeter Kasimu Taylor at The Dark Room.

Thursday, October 26
The Jazz at Holmes series at Washington University presents "Streams of Extremity II," a free concert featuring pianist Ptah Williams, guitarist/bassist William Lenihan, drummer Steve Davis, and a string trio performing and improvising based on the music of Bela Bartok, Igor Stravinsky, Arnold Schoenberg, Anton Webern, and more.

Elsewhere around town, New Orleans keyboardist and singer John "Papa" Gros returns to the Broadway Oyster Bar, and trumpeter Keith Moyer leads a quintet at The Dark Room

Friday, October 27
Drummer/singer Sammy Miller and the Congregation (pictured, center left) will make their St. Louis debut and wrap up a week-long educational residency for Jazz St. Louis with the first of two nights of performances at Jazz at the Bistro.

For more about Miller and his band of twenty-somethings, plus some sample performances on video, see this post from last Saturday.

Also on Friday, the Gaslight Cabaret Festival presents singer and pianist Eric Comstock and singer Barbara Fasano in a one-night-only performance of their cabaret show "Downton Abbey Road: The Best of Britain" at the Gaslight Theater.

Elsewhere around town, the Midwest Jazz-tette returns to Evangeline's, and Miss Jubilee plays for dancers at the Casa Loma Ballroom.

Saturday, October 28
Guitarist and singer John Pizzarelli (pictured, top left) will perform for the annual "ArtSounds" benefit gala at the Sheldon Concert Hall. (For those interested in just hearing the music, the Sheldon may have some concert-only tickets available; check with their box office for details.)

Also on Saturday, the Funky Butt Brass Band returns to Broadway Oyster Bar.

Sunday October 29
The Folk School of KDHX presents their monthly traditional jazz jam session; the Bosman Twins (pictured, bottom left) will headline a benefit at the Sheldon raising money for the Royal Vagabonds scholarship fund; and the students of the JazzU Big Band will perform at Jazz at the Bistro.

Monday, October 30
Saxophonist Paul DeMarinis will lead a quintet of members of the Webster University jazz faculty in "1967: Jazz in Transition" at Winifred Moore Auditorium on the Webster campus.

The program will feature performances of songs first released in 1967 by artists including John Coltrane, Miles Davis, Charles Lloyd, Gary Burton, Sam Rivers, Chick Corea, and more.

For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.

(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)

Sunday Session: October 22, 2017

Abdullah Ibrahim

Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* Why are foreign bands being denied entry into the United States? (Alternative Press)
* Q&A with Don Was: Capturing the Blue Note Vibe (DownBeat)
* The Top Uses of Billie Holiday Songs in Movies or TV (TVOverMind.com)
* When Prince Asked Miles Davis to Play With Him (Diffuser.fm)
* Charnett Moffett: On Loss, Love & Vibrational Healing (Jazz Times)
* Critic's Notebook: Bill Murray, Classical Music's Unlikeliest Star (Hollywood Reporter)
* No alternative: how brands bought out underground music (The Guardian)
* Wadada Leo Smith continues to tinker with his masterpiece (Houston Chronicle)
* MacArthur Fellow Tyshawn Sorey stretches musical definitions (Chicago Tribune)
* Who Are the Best-Selling Artists of All Time? (DigitalMusicNews.com)
* Star-Studded Concerts Planned in NYC to Aid Puerto Rico (DownBeat)
* Jazz Legend James �Blood� Ulmer Walks the Line Between Melody and Improv (Bandcamp.com)
* Why Is Sun Ra Suddenly Having His Moment? (Rolling Stone)
* Uber, But for Millennials Who Want Orchestras in Their Living Rooms (Wired)
* Thelonious Monk's Quiet, Slow Conquest of the World (The Atlantic)
* Which Sounds Better, Analog or Digital Music? (Scientific American)
* Abdullah Ibrahim: How Improvisation Saved My Life (NPR)
* Shaping the �70s: Simon Draper and the Story of Virgin Records (RedBullMusicAcademy.com)
* David Torn: Making Records, Film Composition, and Working With David Bowie (AllAboutJazz.com)
* Could city takeover of embattled American Jazz Museum improve its fortunes? (Kansas City Star)
* Two months before the American Jazz Museum bounced checks to artists, it spent how much on a Learjet flight? (Pitch Weekly)
* Meet the Artist Single-Handedly Reviving a Dying Form of Music (Vice.com)
* Herbie Hancock riffs on the �ethics of jazz� (Wisconsin Gazette)
* Philip Glass Reveals His Love for the Cello (The New Yorker)
* What�s actually going on when people talk about digital vs. analogue masters (TheVinylFactory.com)
* Sexism in Jazz, From the Conservatory to the Club: One Saxophonist Shares Her Story (WBGO)
* Perfect Pandemonium: The Art Ensemble Of Chicago At Cafe Oto (TheQuietus.com)

Sunday Session: October 15, 2017

Thelonious Monk

Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* Black Musicians on Being Boxed in by R&B and Rap Expectations: �We Fit in So Many Things� (Pitchfork.com)
* Interview: A coworking space for musicians, and artists as startups (CDM.link)
* Composer Philip Glass Says Scoring Jane Goodall Doc Was 'Challenge': Interview (Billboard)
* Magic in the method: The Art Ensemble of Chicago live in New York (Dark Forces Swing Blind Punches)
* How Karaoke Secretly Became a Major Driver of Innovation (Vice.com)
* Homages and Tributes for the Thelonious Monk Centennial, But No Competition (For Now) (WBGO)
* 10 Things You Didn't Know About Thelonious Monk, by His Son T.S. Monk (Jazz.org)
* Think of Thelonious Monk (The New Yorker)
* A Century Of Song: Monk At 100 (SFJAZZ.org)
* After Midnight: Thelonious Monk At 100 (NPR)
* The Met and the Philharmonic Look Backward (The New Yorker)
* An Interview With Louis Armstrong House�s Research Director, Ricky Riccardi (Offbeat)
* Grady Tate, Prodigious Jazz Drummer And Noted Vocalist, Dies At 85 (NPR)
* Drummer and Singer Grady Tate Dies (Jazz Times)
* Tyshawn Sorey, A Musical Shapeshifter, Wins MacArthur 'Genius' Prize (NPR)
* The Man Who Forgot He Was a Rap Legend (GQ)
* Hallelujah! The Songs We Should Retire (NPR)
* Live Review: October Revolution of Jazz & Contemporary Music (Jazz Times)
* The Boston Public Library Owns 200,000 Vinyl Records � And It�s Putting Them All Online (WBUR)
* Will Recent Court Rulings Endanger the Future of Biopics and Documentaries? (Hollywood Reporter)
* Can Atlanta Become the Music Industry's Next Business Hub? (Billboard)
* Fear and the Future of Live Music (PSmag.com)
* In Detroit, Artists Rebuild with the City or Get Squeezed Out (Paste)
* How Dan Deacon Collaborated With Rats To Make His Latest Film Score (NPR)
* Human speech, jazz and whale song (PHYS.org)
* The Devaluation of Music: It�s Worse Than You Think (Medium.com)
* Classical music's biggest problem is that no one cares (OvergrownPath.com)

Sunday Session: October 8, 2017

Antonio Sanchez

Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* Trane of No-Thought: How Meditation Inspired Jazz Great John Coltrane (LionsRoar.com)
* Jazz and Communism? The Perfect Oxymoron - Paquito D�Rivera considers the implications of International Jazz Day 2017 (Jazz Times)
* Tom Petty, Rock Iconoclast Who Led the Heartbreakers, Dead at 66 (Rolling Stone)
* An Appreciation of Tom Petty: Rock�s Superstar Everyman (Variety)
* Free Falling with Tom Petty (The New Yorker)
* Tom Petty's final interview: There was supposed to have been so much more (Los Angeles Times)
* Judd Apatow Revives Mainstream, Bob Shad's Independent Record Label (WBGO)
* Nextbop Interviews Kendrick Scott (NextBop.com)
* The Meaning of Soul Music According to Raphael Saadiq (Pitchfork.com)
* Interview: Ashley Kahn on Thelonious Monk's Legacy (Keyboard)
* Antonio S�nchez Brings Electronics and Politics To 'Bad Hombre' (NPR)
* Herbie Hancock: Why he thinks the audience is a member of his band (Philly.com)* A New Model for Paying Musicians a Living Wage? (East Bay Express)
* Esperanza Spalding Talks Recording an Album in 77 Hours, Sexism in Music & Nicki Minaj (Billboard)
* Kamasi Washington on the Music That Made Him a Jazz Colossus (Pitchfork.com)
* Why British DJs From the �60s and �70s Kept Their Best Records Secret (AtlasObscura.com)
* The Philosophy & Music of Devo, the Avant-Garde Art Project Dedicated to Revealing the Truth About De-Evolution (Open Culture.com)
* Puerto Rico's 'Singing Newspapers' (NPR)
* The Unknowable Joni Mitchell (The Atlantic)
* Live Sound Processing and Improvisation (New Music Box)
* Mike Stern: Playing Through the Pain (Jazz Times)
* Photos: New York Hot Jazz Festival at the McKittrick Hotel - Cyrille Aim�e, Bria Skonberg, Anat Cohen and more swing the fest's fifth edition (Jazz Times)
* European Jazz Conference 2017 (AllAboutJazz.com)
* Speed of sound � how Spotify killed the long intro (The Guardian)
* After year of silence, New Orleans Jazz Orchestra ready to move on without founder Irvin Mayfield (New Orleans Advocate)
* I Wrote a Hit Song With Justin Bieber. Want to See My Royalties? (DigitalMusicNews.com)
* Do Androids Dream Of Electronic Beats? How Blade Runner impacted electronic music (FactMag.com)
* Kate Bush, Radiohead, Sister Rosetta Tharpe Nominated For Rock & Roll Hall Of Fame (NPR)
* The Art Ensemble of Chicago Celebrates 50 Years Of Channeling And Challenging History (NPR)
* Jazz Drummer Alvin Queen Denied Entry to U.S. Due to Dropped Charges From 50 Years Ago (Billboard)
* On the Cultural Specificity of Symphony Orchestras (CreateEquity.com)

Sunday Session: October 1, 2017

Bud Powell

Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* Why Do Orchestras Seem to Play Behind the Beat? (WQXR)
* How jazz is becoming the sound of resistance once again (Salon.com)
* Patti LaBelle: New Jazz Attitude (Jazz Times)
* An introduction to Jon Hassell in 10 records (TheVinylFactory.com)
* Giving peace a chance? Music can drive us apart as much as it unites (TheConversation.com)
* Reminiscing with Latin-jazz legend Eddie Palmieri (Jazz Times)
* From Louis Armstrong to the N.F.L.: Ungrateful as the New Uppity (The New Yorker)
* Labels And Artists Lending A Hand To Those Affected By Natural Disasters (NPR)
* Meet Jason DeMarco, The Reason Adult Swim�s Music Is So Good (Pitchfork.com)
* A Century Of Song: Monk At 100 (SFJAZZ.org)
* Playlist of the Lambs: psychopaths may have distinct musical preferences (The Guardian)
* Frank Zappa�s 1977 Halloween residency to be released as 158-track costume box set (ConsequenceOfSound.com)
* 70s boombox makes comeback, attracts new generation (KyodoNews.com)
* Was the Blues Born on a Vaudeville Stage? (PopMatters.com)
* Spotify Is Paying $2.77 Million a Month In Rent for Its World Trade Center Offices (DigitalMusicNews.com)
* How Facebook Is Trying to Avoid a Public Relations Disaster with Songwriters (TheStreet.com)
* Bizarre footage shows trumpet-playing bear travelling in motorcyclist's sidecar while sitting at traffic lights (The Mirror)
* America's Small Cities Are Betting Their Second Act on Festivals (Jezebel.com)
* New York Hot Jazz Festival Electrifies McKittrick Hotel (DownBeat)
* The Summer of Yoko Ono Ends with Shrieks and Screams (Smithsonian)
* Bud Powell Revisited (NEPR.net)
* Coltrane�s Hidden Gems: A Seeker�s Guide (EstheticLens.com)
* A Walk Through The Avant-Garde World of �Art Rap� Music (Bandcamp.com)
* Hugh Hefner's Big Contributions to Jazz (WBGO)
* Technician of the Sacred - Three recent books demonstrate that John Cage is overdue for a populist revival (Utne.com)
* Ostrava Days, Brooklyn Nights - On Hypocrisy and Insularity in New Music (Atavist.com)
* Linda Ronstadt: 'I don�t like any of my albums' (The Guardian)
* Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago (AllAboutJazz.com)
* How Instagram Became The Music Industry�s Secret Weapon (Fast Company)
* A Guide to U.K. Jazz in 2017 (Bandcamp.com)
* Q&A: John McLaughlin & Jimmy Herring (Jazz Times)
* Which Two Songs Are the First to Be Encoded Into the Fabric of Life? (AtlasObscura.com)

Sunday Session: September 3, 2017

Thelonious Monk

Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* Elvis Presley�s Archivist on the Heartbreak of Tapes Trashed by RCA, Scouring the South for Lost Recordings (Variety)
* Esperanza Spalding�s Pop Culture Loves (Smithsonian)
* Tin Men and the Telephone: the jazz band you control with a smartphone (The Guardian)
* Review: The Mingus Prom (Jazz Journal)
* The Devo De-Evolution Of Golfer Chi Chi Rodriguez (WBUR)
* Close Encounters of the 4th Kind with the Sun Ra Arkestra in San Francisco (PopMatters.com)
* Pharaoh�s Den, the Sun Ra-themed grocery store in Philadelphia (DangerousMinds.net)
* Kurt Rosenwinkel: A Whole New Vista (Jazz Times)
* Hancock-Washington Double Bill Rocks the Hollywood Bowl (DownBeat)
* INTERVIEW: Marilyn Mazur (London Jazz News)
* Review: Oslo Jazz Festival 2017 (Jazz Times)
* Q&A with Sean Jones: The Spirit Calling (DownBeat)
* Woody Shaw Takes on ��Round Midnight,� the Trumpeter�s Supreme Challenge (The New Yorker)
* The Omnivorous Mind of Pamela Z (San Francisco Classical Voice)
* Where's the Best Seat in the Concert Hall? (WQXR)
* The South Side�s Last Remaining Jazz Landmarks (Chicago magazine)
* Rock �N� Roll: America�s Midlife Crisis (Talkhouse.com)
* Pop music is rejecting the piano. Why? (The Economist)
* �The Simpsons� Composer Alf Clausen Fired (EXCLUSIVE) (Variety)
* Review: Jazz re:freshed Live at Nublu in NYC (Jazz Times)
* Traditional Radio Faces a Grim Future, New Study Says (Variety)
* How we made Roy Ayers' "Everybody Loves the Sunshine" (The Guardian)
* Stevie Wonder Reflects On Motown, God And Prince (NPR)
* Off Minor Prophet: Thelonious Monk at 100 (Think Christian)
* Son of Jazz Great Thelonious Monk Sues California Brewery (USNews.com)
* Hudson: Upstate New York�s Supergroup (Jazz Times)
* From Jazz Clubs to Classrooms (The Nation)
* Revitalization project honors jazz great, Toledo native Art Tatum (Toledo Blade)
* Kirk Knuffke�s Time: The Story of Some of the Year�s Best Jazz (Village Voice)
* Avant-garde elder Roscoe Mitchell celebrates 50 years of Nessa Records (Chicago Reader)
* Quincy Jones Looks Back on the Making of Michael Jackson's 'Bad' (Rolling Stone)
* A Brand You Can Trust? Record Nerds� 20 Favorite Labels From the 20th Century (Variety)
* Jazz trumpeter Hino attacks schoolboy drummer (The Asahi Shimbun)
* First Listen: Arturo O'Farrill & Chucho Vald�s, 'Familia: Tribute To Bebo & Chico' (NPR)
* Meet the Ace of Cups, the Haight�s (Almost) Forgotten All-Girl Band (KQED)

Jazz St. Louis adds shows to Bistro schedule

Jazz St. Louis has announced nine more events for the 2017-18 season at Jazz at the Bistro, filling in some gaps in the previously-announced schedule for the fall and adding one more headliner in the spring.

Three of the shows are co-productions with Cabaret Project of St. Louis, as the two organizations will team up to present singer and actor Kyle Dean Massey on Wednesday, September 27 and Thursday, September 28; actor, singer and Bellevile native Lea DeLaria (pictured), who will make her debut at the Bistro with shows on Wednesday, December 27 and Thursday, December 28; and Marilyn Maye, the 89-year-old known as the "grand dame of cabaret," on Wednesday, March 7 and Thursday, March 8.

Three other newly-scheduled events will pay tribute to jazz greats.

Drummer Montez Coleman will helm "The Art of Blakey," a celebration of the iconic drummer and his Jazz Messengers, on Friday, September 9 and Saturday, September 10, joined by saxophonist Ben Reece, trumpeter Danny Campbell, bassist Bob DeBoo, and pianist Adam Maness.

Coleman, DeBoo and Maness then will return the following month for a "Thelonious Monk Centennial" tribute on Friday, October 25 and Saturday, October 26.

Then on Wednesday, November 5, a free event titled "Duke Ellington and Film" will examine Ellington's music for film and his onscreen appearances via a talk by John Edward Hasse, curator of American music at the Smithsonian Institute, and a performance from the Jazz St. Louis Big Band.

Also added to the fall schedule are a performance by the JazzU Big Band student ensemble on Sunday, October 29, and return dates for the 1970s jazz-fusion tribute Weather Forever on Friday, November 10 and Saturday, November 11, and trumpeter Jim Manley's holiday show "A Very Manley Christmas" on Friday, December 22 and Saturday, December 23 .

Tickets for all these shows are available now via the Jazz St. Louis website.

Sunday Session: August 27, 2017

DeeDee Bridgewater

Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* How Did Pop Music Get So Slow? (Rolling Stone)
* Duke Ellington, Bill Evans, and One Night in New York City (The New Yorker)
* Where Have All the V Chords Gone? The Decline of �Functional� Harmony in Pop (Soundfly.com)
* Sing Your Heart Out (Tedium.co)
* Monk and Coltrane Return to Vinyl - A Conversation with Producer Nick Phillips (PopMatters.com)
* PODCAST INTERVIEW: Martin Pearson (sound engineer for Swiss Radio and for Keith Jarrett) (London Jazz News)
* The Man-Machine: How bio-hacking can change the future of music (FactMag.com)
* Opinionated and Unpredictable: Louis Armstrong as music critic (Offbeat)
* YouTube Says It Pays $3 for Every 1,000 Views. A Musician Says He�s Making 1/50th of That. (DigitalMusicNews.com)
* As Jazz Fest Looks At 50, What Keeps It Alive? (NPR)
* Jack DeJohnette Recalls Stint in Bill Evans� Trio (DownBeat)
* Q&A with Dee Dee Bridgewater: Memories of Memphis (DownBeat)
* John Abercrombie, Wry And Exploratory Jazz Guitarist, Dies At 72 (NPR)
* John Abercrombie, Guitarist and Composer, Dies - Inventive guitarist recorded over 60 albums as a leader or co-leader (Jazz Times)
* Forebears: Sister Rosetta Tharpe, The Godmother Of Rock 'N' Roll (NPR)
* The 200 Best Albums of the 1960s (Pitchfork.com)
* Inside One Montreal Music Festival's (Unfortunately Rare) Dedication To Sound (NPR)
* C�cile McLorin Salvant looks for the contradictions in jazz (Los Angeles Times)
* Sounds Great! But It Sounds Very Familiar . . . Where to Draw the Line on Digital Sampling of Sound Recordings? (NOVA.edu)
* Alice Coltrane�s Songs of Bliss (New York Review of Books)
* Herbie Hancock and Kamasi Washington cross the generational divide at the Hollywood Bowl (Los Angeles Times)
* Why Are So Many Bands Surprising Fans With Snail Mail This Year? (Stereogum.com)
* Did Technology Kill Your Local Music Scene? (HypeBot.com)
* Kenny Barron revels in the never-ending jazz journey (San Jose Mercury-News)
* Former Village Voice Editors And Writers Remember Its Outsized Impact On Music (NPR)
* The 50 Greatest Jazz Drummers Of All Time (UDiscoverMusic.com)
* Vijay Iyer On Jazz's 'History Of Defiance,' His Influences And Playing In A Sextet (NPR)

Sunday Session: July 23, 2017

John Coltrane

Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* This conch shell trumpet would be heard far and wide in the ancient world (Science)
* Portrait of a jazz player: Remembering John Coltrane (Greensboro News-Record)
* John Coltrane: Beyond the Holy Mountain (Jazzwise)
* Marking the Death of John Coltrane, Through the Poetry of Amiri Baraka (WBGO)
* John Coltrane's 'A Love Supreme' Is Still a Masterpiece After 50 Years (Newsweek)
* Alice Coltrane: �The Gifts God Gave Him� (Jazz Times)
* The John Coltrane Record That Made Modern Music (GQ)
* Where To Start... John Coltrane - Celebrating the work of a saxophone and spiritual giant (ClashMusic.com)
* Spotify Is Accused Of Creating Fake Artists � But What Is A Fake Artist? (NPR)
* Los Angeles Jazz Institute Festival "Big Band Spectacular" 2017, Part 1-4 (AllAboutJazz.com)
* In New Orleans, There's A Piece Of Music History Around Every Corner (NPR)
* SoundCloud tries to allay fears, but streaming needs a business model (CDM.link)
* On a scale of Monkees-to-Gorillaz, how should we evaluate fictional music? (Washington Post)
* Take a Cruise With Music�s Uncoolest People (TheDailyBeast.com)
* Can't Prog Rock Get Any Respect Around Here? (NPR)
* Fireside Chat: Wadada Leo Smith (RedBullRadio.com)
* 'It's like a Miles Davis trumpet solo': 'Swinging' birds are caught singing off-beat like jazz musicians (Daily Mail)
* Bill Laswell: Four Strings, Zero Limits (Premier Guitar)
* REPORT: Val Wilmer - The Wire Salon at Cafe Oto (London Jazz News)
* A Water Tank Turned Music Venue (The New Yorker)
* These super cool pictures show Frank Sinatra at his best in 1960s Miami (Timeline.com)
* Thelonious Monk's surreally strange and spartan genius gets its due (The Guardian)
* UCSD jazz haters prompt Brian Ross to move on (San Diego Reader)
* The Poetics of Jazz (The Nation)
* The Nels Cline Show (ForGuitarPlayersOnly.com)
* Jazz Legend Herbie Hancock Tells Us How He Wound Up In the Sci-Fi Epic 'Valerian' (Thrillist.com)
* Art Ensemble of Chicago Reunites in Norway (DownBeat)
* The 75 Moments That Defined the Decade in Music (So Far) (Billboard)
* 'Here Come The Girls'... Again (NPR)
* Editorial: Kansas City government can�t keep bailing out American Jazz Museum (Kansas City Star)
* Welcome to Moonlight Rollerway, Where Nothing Has Changed Since 1956 (Narrative.ly)

Sunday Session: July 9, 2017

Miguel Zenon

Here's the weekly roundup of various music-related items of interest that have landed in StLJN's inbox over the past week:

* The real motor of the performing arts isn�t vision. It�s the board, stupid. ?(Washington Post)
* Like it or not, we are in the midst of a second arts revolution (Chicago Tribune)
* Nora Holt - The pioneering African-American composer and critic left little trace of her work, making it � as Matthew Guerrieri writes � all the more important to celebrate her story (RedBullMusicAcademy.com)
* Jazz Greats in Paris (The New Yorker)
* A room where sound goes to die � and scientists go to study (Seattle Times)
* Redefining the rock god - the new breed of electric guitar heroes (TheConversation.com)
* Churches struggling to find organists (Baltimore Sun)
* Hats Off To The Hammond (UDiscoverMusic.com)
* Assessing 'Queen of Bebop: The Musical Lives of Sarah Vaughan' (WBGO)
* Hudson�s Collective Groove Exceeds Expectations at Montreal Jazz Festival (DownBeat)
* INTERVIEW: Rhys Chatham On Tony Conrad (TheQuietus.com)
* Jazz fest: Robert Glasper takes teamwork cues from Miles Davis (Montreal Gazette)
* Brain Music: How 'Fly Me To The Moon' Can Explain Your Brain On Anesthesia (WBUR)
* The Music Industry's Still Off Key (Bloomberg.com)
* A 60-year run at Royal Studios in Memphis--recording hits with 1960s vacuum-tube technology (KCBX)
* Guitarists Explore Music of Monk in NYC Concert (DownBeat)
* Everything You Need to Know About Music Sales in 2017 (DigitalMusicNews.com)
* Why prog rock still deserves your time (The Economist)
* Scrapbook from the Apple (Jazz Journal)
* How to Double Vinyl Record Sales In 2 Years or Less (Guaranteed!) (DigitalMusicNews.com)
* The final bar? How gentrification threatens America's music cities (The Guardian)
* Global Swing: Catching Up with Miguel Zen�n in Spain (DownBeat)
* Jane Bunnett & Maqueque: 21st Century Women (Jazz Times)
* The Sound of Avant Garde Jazz: Stream 35 Hours of Experimental Jazz by Sun Ra, Ornette Coleman, John Coltrane & More (OpenCulture.com)
* Ornette Coleman: A Jazz Visionary Ready for Prime Time (NBCNews.com)
* 'Baby Driver's' true theme song is 'B-A-B-Y' and Carla Thomas loves it (Memphis Commercial Appeal)
* Stars turning out for tribute to famed SF nightclub Keystone Korner (San Jose Mercury-News)

Sunday Session: June 25, 2017

Ahmad Jamal

Here's the weekly roundup of various music-related items that have landed in StLJN's inbox over the past week:

* 'It�s just me, on the phone in my son�s bedroom.' The church hall that became contemporary music�s hottest venue (The Guardian)
* Thelonious Monk: Lost Liaison - Inside the Forgotten 1959 Studio Session (Jazz Times)
* Is the Printed Circuit Board a Form of Musical Notation? (New Music Box)
* The Story Behind �I�ll Be Around� (Wall Street Journal)
* Alice Coltrane: �The Gifts God Gave Him� (Jazz Times)
* Team-Ups & Supergroups Power San Francisco Jazz Festival (DownBeat)
* In New Orleans, Party Buses Drive The Legacy Of Bounce Music (TheFader.com)
* Generation Next: Four Voices From Seattle (AllAboutJazz.com)
* The Story of Tropic�lia in 20 Albums (Pitchfork.com)
* Christian Scott aTunde Adjuah On World Cafe (NPR)
* Money Ain�t a Thang: 11 of the Most Expensive Albums Ever Produced (Soundfly.com)
* Philadelphia Orchestra composer Hannibal finds humanity amid the loss (Philly.com)
* Tony Bennett to Receive Library of Congress Gershwin Prize (Rolling Stone)
* Ann Hampton Callaway Says Her Return to Singing Is �Scary and Thrilling� (Playbill)
* Q&A with Ahmad Jamal: Continuum of Influence (DownBeat)
* "My goal is to reach people on an emotional level" � The Kenny Barron interview (Ottawa Citizen)
* Paul McCartney on making music with Kanye West: �You basically don�t write songs� (NME.com)
* Why my guitar gently weeps - The slow, secret death of the six-string electric. And why you should care (Washington Post)
* Mills College�s Plan to Ax Jazz Legend Roscoe Mitchell Draws International Outrage (East Bay Express)
* Red Hook Jazz Festival: Neighborhood Feel, Avant Sound (DownBeat)
* The Secret Lives of Playlists (CashMusic.org)
* What I'm Listening to Now: Mats Gustafsson (AllAboutJazz.com)
* Why didn�t famous composers write national anthems? (Classical-Music.com)
* The Ethereal Genius of Craig Taborn (New York Times)
* Artist�s Choice: Bobby Watson on Unsung New York Masters - The saxophonist and educator reflects on his mentors (Jazz Times)
* Langston Hughes Creates a List of His 100 Favorite Jazz Recordings: Hear 80+ of Them in a Big Playlist (OpenCulture.com)
* Bon Iver�s Dad Helped Me Discover the Secret Jazz History of His Hometown (Vice.com)
* Is Jazz Still Sexist? (Jazz Times)
* The Weird World Of One-Hit Wonders (UDiscoverMusic.com)