Sunday Session: November 12, 2017

John McLaughlin

Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* Let's face the facts: Facebook controls classical music (OvergrownPath.com)
* Arts Critics Are Disappearing From Newspapers. Or, Wait, Is That The Good News? (ArtAndSeek.org)
* A Hard Day's Night: Solving a Beatles mystery with mathematics (ABC.net.au)
* Essential Solos: 40 Great Improvisations (Jazz Times)
* Van Morrison Announces New Album 'Versatile' (Rolling Stone)
* Field Notes: John McLaughlin & Jimmy Herring in NYC - Thinking about a jazz-guitar icon�s U.S. farewell tour (Jazz Times)
* Joni Mitchell Talks Exes, Addictions and Music in Candid, All-Access Biography (Rolling Stone)
* The demons and obsessions of jazz genius Thelonious Monk (The Guardian)
* Critic bashing - Defending the Music Media (Atavist.com)
* Blue Note Records Unveils a New Subscription Boxed Set Series, Blue Note Review (WBGO)
* The Strange World Of... Linda Sharrock (TheQuietus.com)
* The rise of �three-car garage rock� (Curbed.com)
* Why the indie band never dies: fake breakups, permanent adolescence and cash comebacks (The Guardian)
* Bill Frisell Receives Honorary Degree and Is Subject of Film (Jazz Times)
* I went to see La Monte Young playing in his New York loft, and you should do the same (Medium.com)
* 'Only 17th-century industrial bluegrass will do': your favourite weird records (The Guardian)
* 'Their DNA is forever ingrained in the keys' - Roman Rabinovich on playing composers' own pianos (TheArtsDesk.com)
* After Six Decades in the Vault, 'Ella at Zardi's' Brings New Shine to Ella Fitzgerald's Centennial (WBGO)
* Malleable Structures: An Interview with Tyshawn Sorey (Atavist.com)
* How Concert Ticket Prices Vary Across the U.S. (Wanderu.com)
* The Many Faces of Jazz Today: The Big Picture (AllAboutJazz.com)
* Return of the Top 40 Troubadour: How Singer-Songwriters Reclaimed Pop Radio (Billboard)
* Pat Metheny: Driving Forces (AllAboutJazz.com)
* �In five seconds my life changed. I was worse than the worst jazz snob� (Irish Times)
* A Jazz Centennial of a Seamier Sort: The End of Storyville, As Remembered Through the Ages (WBGO)
* Paul Buckmaster, Essential Arranger for David Bowie and Elton John, Dead at 71 (Rolling Stone)
* Meet Rufus Harley, the First Jazz Bagpiper (AtlasObscura.com)
* Herbie Hancock: �I like to discover new rules so I can break them� (The Guardian)

Sunday Session: October 22, 2017

Abdullah Ibrahim

Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* Why are foreign bands being denied entry into the United States? (Alternative Press)
* Q&A with Don Was: Capturing the Blue Note Vibe (DownBeat)
* The Top Uses of Billie Holiday Songs in Movies or TV (TVOverMind.com)
* When Prince Asked Miles Davis to Play With Him (Diffuser.fm)
* Charnett Moffett: On Loss, Love & Vibrational Healing (Jazz Times)
* Critic's Notebook: Bill Murray, Classical Music's Unlikeliest Star (Hollywood Reporter)
* No alternative: how brands bought out underground music (The Guardian)
* Wadada Leo Smith continues to tinker with his masterpiece (Houston Chronicle)
* MacArthur Fellow Tyshawn Sorey stretches musical definitions (Chicago Tribune)
* Who Are the Best-Selling Artists of All Time? (DigitalMusicNews.com)
* Star-Studded Concerts Planned in NYC to Aid Puerto Rico (DownBeat)
* Jazz Legend James �Blood� Ulmer Walks the Line Between Melody and Improv (Bandcamp.com)
* Why Is Sun Ra Suddenly Having His Moment? (Rolling Stone)
* Uber, But for Millennials Who Want Orchestras in Their Living Rooms (Wired)
* Thelonious Monk's Quiet, Slow Conquest of the World (The Atlantic)
* Which Sounds Better, Analog or Digital Music? (Scientific American)
* Abdullah Ibrahim: How Improvisation Saved My Life (NPR)
* Shaping the �70s: Simon Draper and the Story of Virgin Records (RedBullMusicAcademy.com)
* David Torn: Making Records, Film Composition, and Working With David Bowie (AllAboutJazz.com)
* Could city takeover of embattled American Jazz Museum improve its fortunes? (Kansas City Star)
* Two months before the American Jazz Museum bounced checks to artists, it spent how much on a Learjet flight? (Pitch Weekly)
* Meet the Artist Single-Handedly Reviving a Dying Form of Music (Vice.com)
* Herbie Hancock riffs on the �ethics of jazz� (Wisconsin Gazette)
* Philip Glass Reveals His Love for the Cello (The New Yorker)
* What�s actually going on when people talk about digital vs. analogue masters (TheVinylFactory.com)
* Sexism in Jazz, From the Conservatory to the Club: One Saxophonist Shares Her Story (WBGO)
* Perfect Pandemonium: The Art Ensemble Of Chicago At Cafe Oto (TheQuietus.com)

Sunday Session: October 15, 2017

Thelonious Monk

Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* Black Musicians on Being Boxed in by R&B and Rap Expectations: �We Fit in So Many Things� (Pitchfork.com)
* Interview: A coworking space for musicians, and artists as startups (CDM.link)
* Composer Philip Glass Says Scoring Jane Goodall Doc Was 'Challenge': Interview (Billboard)
* Magic in the method: The Art Ensemble of Chicago live in New York (Dark Forces Swing Blind Punches)
* How Karaoke Secretly Became a Major Driver of Innovation (Vice.com)
* Homages and Tributes for the Thelonious Monk Centennial, But No Competition (For Now) (WBGO)
* 10 Things You Didn't Know About Thelonious Monk, by His Son T.S. Monk (Jazz.org)
* Think of Thelonious Monk (The New Yorker)
* A Century Of Song: Monk At 100 (SFJAZZ.org)
* After Midnight: Thelonious Monk At 100 (NPR)
* The Met and the Philharmonic Look Backward (The New Yorker)
* An Interview With Louis Armstrong House�s Research Director, Ricky Riccardi (Offbeat)
* Grady Tate, Prodigious Jazz Drummer And Noted Vocalist, Dies At 85 (NPR)
* Drummer and Singer Grady Tate Dies (Jazz Times)
* Tyshawn Sorey, A Musical Shapeshifter, Wins MacArthur 'Genius' Prize (NPR)
* The Man Who Forgot He Was a Rap Legend (GQ)
* Hallelujah! The Songs We Should Retire (NPR)
* Live Review: October Revolution of Jazz & Contemporary Music (Jazz Times)
* The Boston Public Library Owns 200,000 Vinyl Records � And It�s Putting Them All Online (WBUR)
* Will Recent Court Rulings Endanger the Future of Biopics and Documentaries? (Hollywood Reporter)
* Can Atlanta Become the Music Industry's Next Business Hub? (Billboard)
* Fear and the Future of Live Music (PSmag.com)
* In Detroit, Artists Rebuild with the City or Get Squeezed Out (Paste)
* How Dan Deacon Collaborated With Rats To Make His Latest Film Score (NPR)
* Human speech, jazz and whale song (PHYS.org)
* The Devaluation of Music: It�s Worse Than You Think (Medium.com)
* Classical music's biggest problem is that no one cares (OvergrownPath.com)

Sunday Session: July 30, 2017

Mal Waldron

Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* Jimmy Heath: A Little Bird Told Me (Jazz Times)
* Such Sweet Thunder: inside Duke Ellington's literary world (Jazzwise)
* REVIEW: Mary Halvorson Octet at the Village Vanguard in New York (London Jazz News)
* Mary Halvorson Makes Village Vanguard Debut (DownBeat)
* Scott Hanley signs on as jazz station GM (Current.org)
* The night I drove George Melly home from the Cricklewood Tavern (The Guardian)
* Why Vinyl�s Boom Is Over (Wall Street Journal)
* The Ultimate Playlist Of Banned Wedding Songs (FiveThirtyEight.com)
* New Orleans music legend Dr. John reflects on a lifetime of song and adversity (San Diego Union Tribune)
* The 150 Greatest Albums Made By Women (NPR)
* Fascinating Algorithm: Dan Tepfer's Player Piano Is His Composing Partner (NPR)
* Q&A with David Lynch�s Music Collaborator Dean Hurley � Part 1: Working On and �Protecting the Experience� of Twin Peaks: The Return (SynchBlog.com)
* Q&A with David Lynch�s Music Collaborator Dean Hurley � Part 2: Being �Open Creatively� and �Knowing When to Walk Away� (SynchBlog.com)
* After Surviving Lightning Strike, Vocalist Evans Prepares for Comeback (DownBeat)
* How SoundCloud's broken business model drove artists away (TheVerge.com)
* A New Job At Wesleyan, A New Album And A New Direction For Drummer Tyshawn Sorey (Hartford Courant)
* Keith Richards says the Rolling Stones will record new, original music 'very shortly' (New York Daily News)
* How Southern-Soul Survivor Don Bryant Finally Got His Second Chance (Rolling Stone)
* Steely Dan�s Donald Fagen Tours With Young �Nightflyers� (Wall Street Journal)
* Free at Last: Mal Waldron�s ecstatic minimalism. (The Nation)
* Hippies, Guns, and LSD: The San Francisco Rock Band That Was Too Wild For the Sixties (CollectorsWeekly.com)
* Changing the face of American orchestras, one player at a time (Cincinnati.com)
* Alan Lomax�s Timeless American Recordings Find a New Audience (Bandcamp.com)
* The Top Ten Most Overrated Drummers Of All Time (TheZReview.com)
* A Fearless and Kind Leader�Remembering Geri Allen (1957-2017) (New Music Box)
* UK Music chief warns of 'perfect storm' facing music industry (MusicWeek.com)
* Roscoe Mitchell Captures the Eternal Now on Remarkable New Album (Village Voice)
* 45 45s That Changed The World (UDiscoverMusic.com)
* What is Jack DeJohnette's Native American Spirit Name? (WBGO)
* Orrin Evans on Joining the Bad Plus (Jazz Times)
* Angels and Demons at Play: Jim Knipfel on Reclaiming Sun Ra�s Legacy (BelieverMag.com)
* The Jazz & Blues Art Box � instant collection, rare data trove (Jazz Beyond Jazz)
* The sound illusion that makes Dunkirk so intense (Vox.com)
* How I Taught My Computer to Write Its Own Music (Nautil.us)
* The reissue racket: how many more �classic� albums will be repackaged? (The Guardian)
* Whatever Happened to Indie Rock? (Popmatters.com)
* Watch the Making of a Hand-Crafted Violin, from Start to Finish, in a Beautifully-Shot Documentary (OpenCulture.com)